Performed on the double occassion of Stokowski's 90th birthday, and 60th anniversary of his LSO debut. Though he conducted the entire program from that 1912 concert, it was this Debussy performance...
Performed on the double occassion of Stokowski's 90th birthday, and 60th anniversary of his LSO debut. Though he conducted the entire program from that 1912 concert, it was this Debussy performance folks recall most memorably.
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Ityr2001 You know NOTHING!! about ballet and above all about the history of dance. THAT`S CLEAR!! This one was one of the most revolucionary and advanced creations in the ballet`s history. You certanly have to read and learn more before to give that kind of opinions.
You might find interesting Robin Holloway's interesting book "Debussy and Wagner" edited by Eulenburg. The young claude Debussy went to Bayreuth and was a great fan, even if Monsieur Croche was later a violent opponant of the German Master (after the occupation of Alsace-Lorraine).
Debussy did not invent whole tone scales nor was the first to avoid tonal writing, nor indeed to prefer unresolved seventh chords or use the tritone. I don't thiçnk anyone ever protested about this work as a piece of music, with delicious orchestration and starting and finishing in E major!
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This ballet ruins the music for me.
The young claude Debussy went to Bayreuth and was a great fan, even if Monsieur Croche was later a violent opponant of the German Master (after the occupation of Alsace-Lorraine).
I don't thiçnk anyone ever protested about this work as a piece of music, with delicious orchestration and starting and finishing in E major!