n the attempt to answer those questions, we introduce a new concept: that of the post-dramatic body, as a replica of the post-human body attributed to the android, in terms employed by Stelarc. The analog or biological body will become the post-dramatic body of the virtual performance -- but only by using the techniques of digital virtuality as an architectural hardware in the creative process. This post-dramatic body is technically confused or embedded with the cyber-dancer's body on the interfaced digital scene, which holds, as an ontological referent, a hybrid of virtual corporealizations.
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