F.P.Tosti -A Vucchella. Dmitry Gishpling-Chernov
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Uploader Comments (RADAMES1983)
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@RADAMES1983 "In the Italian School, the depressed larynx is almost universally avoided. (...) In fact, it would appear to be nearly a physical impossibility to maintain low-laryngeal posture and pharyngeal enlargement together with the thoracic posture of the classic Italian-trained singer. The vocal mechanism would be squeezed between the two pressures. (R. Miller)" - I would say that depressed larynx is to be avoided; stabilized larynx is to be achieved.
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Absolutely wonderful singing ! Brava!
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beautiful
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Nice voice. You are on the right track!
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some pitch problems,.timbre sounds at times like the great Tito Schipa,.......
Please learn NOT to push when singing forte,....your mezzo piano is very nice.
core9204 1 year ago
@core9204
Thank you for the comment and the important critic!
Dmitry :)
RADAMES1983 1 year ago
His voice sounds rather strange to me... I would say it is due to this peculiar principle of fixed position of buccopharynx in german school of singing. It is not very much in line with the demands of italian song literature or even italian language itself.
LCCzr 1 year ago
@LCCzr thank you for the comment.
I agree and accept the critic about the "voice line", and that what i work on.
But there is nothing to do between this and fixed larynx low position.
Singing with a low stabil larynx id totally the opposite from what most of the Germans are doing.
It's much more a school of the Italian Melocchi, of Garsia, and many singers in Italy, America, Russia are doing it.
In German school they mostly sing with a high larynx and cause of that it's mostly about lieder...
RADAMES1983 1 year ago