The death of Haile Selassie, in August 1975, utterly devastated Junior Byles and brought his career virtually to a halt. Having released a flood of hits across the first half of the decade, the singer was now incapable of working and unable to follow up the international success of his "Fade Away" single, released earlier that year. However, in 1976, Byles did manage to record two songs with Niney Holness. The two had previously worked together back in the '60s when Byles was still a member of the Versatiles and Holness was employed as Joe Gibbs' recording engineer. The Observer, also a Rastafarian, was obviously sympathetic to Byles' emotional distress and did what he could to make the singer's return to the studio a positive experience. "King of Babylon" had been originally cut by the singer for Lee Perry earlier in the decade. It was an astute choice of songs, as it allowed the singer to reiterate his own deep religious views while the lyrics' overall optimism surely provided comfort. Of course, Holness created his own new rhythm for the song: a perky beat, but not strident enough to overwhelm the still fragile singer. Byles treats the lyrics like a lifeline, offering them up not just to the listeners, but to himself to ponder and renew his faith. The song did well, and fans hoped that the singer's career would now get back on track. But it was not to be.
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Byles was a prolifc writer and singer, whose style can not be duplicated, though so many have tried. to see this old man now, the genius he was is indeed sad that he doesn't get the recognition he so deserves.
rdawta 2 years ago 7
I have been trying to find this old classic.The music that never dies.....big up rootsman
QUINTIN29 2 years ago