Architecturally, the composition is built with a series of frames. Whatever their contents may be (linear, harmonic,etc.), they continually appear in multiple combinations and formations, in order to create a constant refreshment and stratification of sound forms from beginning to end. Through superimpositions and continually refreshed explorative sources, one frame may extend over two or three others before exhausting or transforming itself. To aid in trying to create a seamless musical web, new musical materials will appear with older fragments or frames, generating various transformations, juxtapositions, simultanaeities, and orchestral colorings. The composition pushes toward diverse levels of relationships, rather than a single or fixed point of view.
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