Beethovens Adagio in E-flat serves as compost for a collective of disintegrating ideas from Mindanao, Zimbabwe, Korea, Japan, Iran and the Americas. This is the first known time that Persian and Filipino tuning systems are practiced together without compromise. The Chromodal Consort at St. Gregory's of Nyssa in San Francisco, August 18, 2007 are [in alphabetical order]: Avotcja, spoken word poetry; Jimmy Biala, cajon, pandeiro, shekere; Tom Edler, bass; AmirAbbas Etemadzadeh, tombak, daff; Ken Filiano, bass; royal hartigan, drumkit; Danongan Kalanduyan, kulintang; Masaru Koga, shakuhachi, alto saxophone; Donna Kwon, changgo, vocals; Faraz Minooei, santur; Hafez Modirzadeh, karna, ney, tenor saxophone; James Norton, alto flute, bassoon, bass clarinet, soprano saxophone; Kelly Takunda Orphan, mbira, vocals; John-Carlos Perea, cedar flute, Lakota vocals; Bo Razon, bongos, video; Leo Sifflet, tenor saxophone; Tim Volpicella, electric guitar; Ted Williams, tenor saxophone; Francis Wong, tenor saxophone; Mahmoud Zoufonoun, violin and hashtar; Ramin Zoufonoun, tar.
Good idea but it sounds auful, it's like a group of musicians parcticing together!
bijibijmak 3 years ago
simply enchanting!
xpo147 3 years ago