Peter Aidu plays Steve Reich's "Piano Phase" with an absolutely unique technique: with a left hand on one instrument and the right hand on the second piano - he alone performs the score for two pia...
Peter Aidu plays Steve Reich's "Piano Phase" with an absolutely unique technique: with a left hand on one instrument and the right hand on the second piano - he alone performs the score for two pianists
This video accompanies mp3-release on top-40.org netlabel: http://www.top-40.org/top09/top09.html (check the MP3 or APE recording of this unique performance)
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Ive seen two people (each on their own piano) playing this piece. They had huge trouble keeping to their set pace, with the other performer beside them was so very hard to block them out in thier mind... because quite simply the other player is palying the very same passage just at different time. HOW THE HELL THIS GUY DOES IT BY HIMSELF ACROSS TWO PIANOS IS JUST MIND BLOWING... (my jaw is still on the floor.)
Reich's music, along with other so-called minimalists, is a reaction to the extreme dissonance and controlled process of the serial composers of the 1950s/60s. His use of consonant harmonies and repetition makes available to the listener the process of the music and is an expansion in the revelation of form. It's not meant for casual consumption, but requires focus on the part of the listener. Without understanding that, appreciation of what's available is missed. AND, the performance rocks.
I know it's not two time signatures... I know about phasing? Why are you directing this to me. I probably said maintaining two different timings. not time signatures.
This guy is not practicing a technique right now; he's playing a piece that was written. While there are certainly cerebral qualities to Reich's music, it's repetitiveness - without discernable and convenient hooks - requires making a different type of relationship to it as a listener.
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