Point d'orgue - Cochereau ( part 2 )
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@polsterj I don't have a problem with the fact that we have two different organs now.
Of course it isn't a 100 % Cavaille- Coll anymore but it's still a very nice an french sounding instrument.
It also inspired a lot of famous organists to improvise music on a very high level, in other words this instrument
in combination with a good organist creates art, and therfore it is a fine instrument.
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@Hauptwerkgek It doesn't sound like Cavaille-Coll when we assume that the original CC sound was similar to Saint-Sulpice, and the Saint-Sulpice IS much different and sounds much more balanced and better, I heard both in person last weekend.
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@polsterj present organ even less??? what are you talking about? to me it sounds french again. But to be honest I liked it more as it was in Cochereau's time. But it is still a very nice and truly french sounding instrument.
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@polsterj present organ even less??? what are you talking about? to me it sounds french again. But to be honest I liked it more as it was in Cochereau's time. But it is still a very nice and trully french sounding instrument.
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Ah il avait fière allure le Cavaillé de Notre Dame avant que l'on commence à y engloutir des millions ...
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¡¡¡¡God bless you chamade216, excellent, saludos desde Buenos Aires....
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Dios lo tenga en la gloria a monsieur Pierre Cochereau. El organo de Notre Dame de Pais estaba mejor con esa consola original...
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To be honest, the organ doesn't sound in great shape here either. I think it's pointless talking about a hark back to the 1868 Cavaille-Coll.As polsterj says C-C retained a great deal of Clicquot stops, notably the reeds and mixtures, in most of his big 'rebuilds'. I happen to think that Pierre Cochereau got it 'right' in the 60s by retaining what was there but adding the chamades, but the latest rebuild is all wrong: this is now an Anglo-American organ and it doesn't sound right at all.
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@Coranglais8 Well, Cavaillé-Coll used old material in all his grand organs (Notre-Dame, Saint-Sulpice, Toulouse, Rouen), I think old stops belong to the style of CC.
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The question is if it ever was a real Cavaillé-Coll, because CC re-used a lot of Clicquot stops. But when you listen to the foundation stops 16' 8' 4' you know it is Cavaillé-Coll!
Unbelieveable how great this Instrument once was! But also the Cochereau-organ was no Cavaillé-Coll any more, and the present organ even less. It doesn't even sound like a french organ!
polsterj 2 years ago 6
This material is unique. What a difference with the present console (ugly) and especially with the present sound (harsh and loud). I can only regret the modifications made in the second half of the twentieth century.
But, the more precious is this fragment!
VepresduCommun 2 years ago 2