Bela Fleck & Chris Thile cover Radiohead
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All Comments (76)
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THIS IS AMAZING!
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Totally. It all comes down to how many beats (not subdivisions of beats, but actual "big" beats) are felt between each downbeat. 5/4 has 5 big beats, 10/8 has 10 big beats. Only difference is the beats in 10/8 go by twice as fast...and as that feels different, has different grouping possibilities as django is saying :)
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just argued with a friend about 5/4 vs 10/8. he didn't get it. it's amazing what intro to theory would teach you
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@giggleblaggle I like Chris's 'chimepiece' at the beginning as well.........
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@river0tt3r EXACTLY.......:)
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I AM IN LOVE WITH THIS VIDEO.......BRAVO & ENCORE :)
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@sirlonghair You have to remember this video is posted in 240p and you are losing a lot of fidelity in the compression.
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wow..
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@TheDaveRoss hello I'm a sound engineer your absolutely right sound guy is not very good I can't hear the mandolin hardly it's easy to get a banjo sound and you have to hear the voice wears the rest Chris is only just the other player you hear him towards the end I hear now just without tone and just under volume
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whose idea was it to ruin the audio by sticking a fan behind the artists blowing into the mics?
bela fleck + chris thile + radiohead = magnificent
river0tt3r 4 years ago 18
Not really. 5/4 refers to a quarter note rhythm, in which the beats are usually grouped in 2 and 3. 10/8 is when you get things like 2233 3322, etc. It's the same numerically but not FELT the same.
Djangoblackbird 3 years ago 14