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Expressing Consonance / Dissonance on Guitar Inside/outside playing (Martino, Coltrane, etc) 1 of 3

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Uploaded by on Feb 27, 2010

Part 1 of a series of lessons on applying various techniques for inside/outside playing

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Music

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Standard YouTube License

  • likes, 3 dislikes

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Uploader Comments (sheetsofsound)

  • I like your lesson BUT I would really like to take that prs guitar and smash it

    good lesson though, I'm learning a lot

  • @Leonard5555

    what's next? Fashion critique?

  • 8:45 straight from The Frank Gambale Book.

  • @Fearzero

    Sorry, no. Arpeggios in 4ths - Pat Martino circa 1969

  • Is there a book or tablature associated with this topic?

  • @bassology123

    search for sheetsofsound on google

Top Comments

  • Holy crap, this man has no head!

  • great lesson! I'm gonna study this one. It shows me a way to move from blues to jazz.

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All Comments (32)

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  • Thanks for sharing what you know. How I wish youtube was around when I started playing.

  • Keep posting,great job!! Finally I understood the concept.

  • All your videos are clear, precise - and very useful. Your playing is sublime throughout.

  • Nicely broken down. This kind of playing has mystified me for longer than I care to remember. It's very liberating to have it unveiled in such an easy to understand manner; I can hopefully wander from the pentatonic plateau into the jazz jungle a little further now. Cheers.

  • GREAT LESSON!. iM YOUR NEW BIGGEST FAN!~ YOU HAVE A CD? I ALWAYS WANTED TO KNOW HOW TO LINK A TRIAD USING EVERY FRET ALL THE WAY DOWN THFRET BOARD FROM LOW E TO HIGH E. YOU HAVE ANY VIDS ON THAT ??/?

  • Sounds so much like what Metheny does. Great lesson !

  • Great lesson.I don't see enough guitar players teaching this. It's important to play what most people consider "outside". Staying safe is why guitar players at guitar center and various guitar outlets get chuckled at. I would rather listen to a 10th year old wander around than hear a 40 year old play amin pentatonic. Just my opinion though. Again as stated thought you have to hit on that tonic! It sends the whole melodic idea home for you and the listener.

  • This is a GREAT lesson! GREAT! Such a reasonably simple way to explain a rather modern concept that virtually defines a great many styles of jazz and post-rock playing. I've never see it elucidated so well. Thanks! Ornette Coleman-ism, here I come!

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