Secrets of Maestro Vladimir Galouzine - Vibrato - Partie 1 - Masterclass (extrait) - Nouvel Opéra
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@Webarton You have to be on drugs, miserable and a freak to be unmoved by such a great voice
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@osiarap She is rubbing hair on her arm pit.
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@tomasjuhasz First of all he paid his attention to not change placement of voice..leave it where it was - in the chest..or at least under the larinx.
Second was vibratto: vibratto must be controlled. You must practice to controll it to be able produce it in rhithm of tempo..1/8. 1/16...etc.
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Why is that lady in the background playing with her breast?
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Boheme, final part of Che gelida manina
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someone translate please!!!!
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As a singer who has sung the dramatic tenor repertoire, I can tell you that he has a great sound. It is masculine and very beautiful. Lyric voices are like the fuzz on a peach: they are soft and finish sweetly. Dramatic voices are masculine and convey a nobility of sound. Dramatic tenors are not supposed to sound like loud character tenors. If that is what you are expecting you need to examine your musical prejudices and filters. Voices like his are rare. His way of singing mirrors Caruso.
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what is this song?
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hahahahah! agree
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You have to be on drugs to think that sound is beautiful...
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WOW!!! Eelee ouwow! Zamechatelno! Galouzine is a beautiful performer. He is larger than life on stage and the voice speaks for itself. However, who realized that he is such an amazing teacher, as well? I don't want to see him to stop performing, but teaching agrees with him. Thank you Gospodeen Galouzine!
texakep 3 years ago 9
Please send more its interesting!
tomasjuhasz 3 years ago 6