NICOLAI/ DELL'ORSO -"Night Eveleyn Came Out of the Grave" (1971)

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Uploaded by on May 2, 2009

-From, "LA NOTTE CHE EVELYN USCI DALLA TOMBA" (Italy, 1971)
-"THE NIGHT EVELEYN CAME OUT OF THE GRAVE", "THE NIGHT SHE AROSE FROM THE TOMB", and "THE NIGHT THAT EVELYN LEFT THE TOMB"
-"DIE GROTTE DER LEBENDEN LEICHEN" (West Germany)
-"DIE GROTTE DER VERGESSENEN LEICHEN" (Austria)
-"L'APPEL DE LA CHAIR", "LA CRYPTE DU FOUR", and "HOLOCAUSTE POUR UNE VIERGE" (video) (France)

Classic horror thriller starring Anthony Steffen, Marina Malfatti, and Erika Blanc.


Bruno Nicolai was the right-hand man of Ennio Morricone. Besides conducting many of the maestro's scores, he wrote many brilliant ones of his own. He often used the same players, including Alessandroni, Franco DeGemini, and Edda Dell'Orso.

Composer: Bruno Nicolai
Vocals: Edda Dell'Orso


Resources:
http://www.myspace.com/brunonicolai

http://www.myspace.com/eddadell39orso
http://www.myspace.com/eddadellorso

http://www.enniomorricone.com/
http://www.chimai.com/

http://www.myspace.com/enniomorricone
http://www.myspace.com/morriconemood

http://www.myspace.com/alessandroalessandroni
http://soundtracks.cinema-suicide.com/2008/08/an-interview-with-alessandro-al...

http://www.myspace.com/pieroumilianiofficialspace

http://www.myspace.com/armandotravaioli
http://www.myspace.com/bacalov




http://www.myspace.com/rizortolani

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists, the music, and the films.)

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  • Ok Nicolai is different from morricone because no humans are alike :).

  • Nicolai wasn't a Morricone clone at all, he had a great style and flair all his own you could make out clearly, often like here with a horn driven lounge type theme. Think Lenzi's Eyeball, for instance.

  • Love it :-)

  • Great title theme by Bruno Nicolai. Good on his own, besides great work with Ennio Morricone. And Edda Dell'Orso---that heavenly voice.

  • Great title theme by Bruno Nicolai. Good on his own, besides great work with Ennio Morricone. And Edda Dell'Orso---that heavenly voice.

  • bruno nicolai was a great comopser in his own right never gets the credit due to his memory . if he was still around producers would be falling over themselves to get his services.

  • HE WAS A CLONE OF MORRICONE??? AND WHY DID NICOLAI THE BEST GIALLO THEME OF ALL TIMES??? THE CASE OF THE BLOODY IRIS...

  • Nicolai´s beautiful score perfectly matches the dreamlike, sensual tone of the film.

  • Actually it's embarrassing. Such well-crafted, sophisticated music, and such a - obviously - trashy, sleezy movie.

  • Nicolai was very good, but it's true, most of the time he was a clone of Morricone. But a great one! DEFENSE DE SAVOIR, L'HONORATA FAMIGLIA, JUSTINE, IL CONTE DRACULA, try to get them, they are stunning.

    Bruno was in such symbiose with Morricone that the recordings he conducted for Ennio sound more Morriconean than Morricone himself. That's quite remarkable.

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