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The Latin Bass Book, Guaracha, tumbao bass line

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Uploaded by on Apr 5, 2008

This is track #2 of the Latin Bass Book (by Stagnaro & Scher). If you want to get into Latin bass this is a highly recommended book.

I'm a using a Korean Tribute G&L L2500.

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Music

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  • likes, 13 dislikes

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Uploader Comments (safetheory)

  • are you using only the neck pickup?

  • Yes neck PU in series mode and passive.

  • I have the exact same bass except its an L2000.

  • I saw it, nice...

  • me supongo que eso que has hecho tu ha sido sobre lectura... pero en verdad le falta algo a esoo hehe!!! suerte saludos

  • Estamos de acuerdo. El ritmo es relativamente facil (es igual en todas las barras), lo que complica es la harmonia que tiene muchos acordes y variaciones. Estaba nervioso cuando lo grabe, pero ahi esta con todas sus inperfecciones.

Top Comments

  • check it out... you are rushing in places.

    try to settle into the percussion more deeply and learning to play some congas can really give insight.

    also learn to leave out the 'one' and just play the 'and' of 2 and the 'four' tied over to the beginning of the next bar (usually beat your foot in cut time: two foot-beats to the measure of 4 quarter notes).

    keep at it!

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All Comments (68)

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  • What chord-progression are you using? And for what scale?

  • Bien ese tumbao. Quizás me ouedas ayudar. me trajeron el libro de Stagnaro pero le falta el CD1. Puedes ayudarme a conseguir los tracks, tal vez enviandome unos MP3?

    Espero tu respuesta y gracia de antemano.

    BEN

  • what;s the eq setting?

    

  • yeahh i can dance this and play iht yeahh ive seen better

  • you are often out of time. Try dancing and playing, i'm sure you will improve. If you want to dance to your music, i'm sure everyone else will.

  • brilliant groove bro. ive just practically written an essay for uni on your playing :)

  • good job thanks for posting this with the info i bought the book :)

  • wow a G&L....very nice bass

  • @TiqueO6 quite uncomfortably rushing the whole time.

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