Lesson proposed by TRAN QUANG HAI for learning throat singing

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Uploaded by on Feb 22, 2009

Trân Quang Hai presented his exercice for training overtones with the technique of one mouth cavity .

Filmed in Limeil Brevannes, France, Sunday 22 February, 2009

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Music

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  • Thank you, from my family. My wife has a mongolan herritage, and my sons carry the mark as proof. I want them to have a deep rich herritage. Not to mention tallent.

  • thank you very much for sharing your wisdom with us! your exercise is simple, good to understand and i'm sure, with more pracitse and your technique, i'll get the hang of it soon, 'cause it's really fun to practise when you see good results so quickly! thanks again, you're awesome! =)

  • I just tried this myself and it worked! I'm starting to get the hang of it! Thank you for posting! :)

  • I enjoy coming back now and then to rewatch a true master share his art so graciously and effectively. This is what the overtone singing world should be like, and the way it generally is.

  • kargyraa1, thanks for posting, and do not worrie about BedBugAcres, his ego is too hight, but time will change that

  • No one asked you to stop studying throat singing. It would however be a good idea to stop trashing other people when you are the one who doesn't understand the difference between how something is produced and WHAT is produced. When you come on so aggressively towards others only to be such a bonehead in a public forum about such truly elementary matters, don't act all surprised when people give you multiple thumbs down. You've racked up a lot of red ink on this page alone!

  • ... who already use them. Intellectually, you are a classic case of missing the forest for the trees. Socially, you are the first and so far only person I've met in the community who is thoroughly ungracious, crudely judgmental and generally annoying. That is, you are an annoyance to those choose to hammer, but worse, you're no doubt an embarrassment to those in whose style's name you do all this bashing. Time to cut your losses and learn to sit still and be quiet while others teach and learn.

  • It is BECAUSE everything from western styles to Tuvanese throat singing involves the amplification of harmonics to produce overtones that I suggested that sterile debate might possibly be avoided if everyone used harmonic chanting or singing or overtone chanting or singing as the generic term. There's nothing "throaty" about some styles, but ALL styles amplify harmonics to produce overtones. But you in your puristic pinheadedness insist on applying these terms only to people who already use

  • You've offended several people. You can tell by the comments. At least, you COULD if you had any social skills, which you apparently don't. And you miss the point about what overtone or harmonic singing is. Yes, you only spoke about resonators, breathing, "intentions" (whatever you mean by that!) and emissions. But you did so precisely BECAUSE you don't understand that the one thing that links everything from Bollman to Ondar is that all styles amplify harmonics to produce overtones.

  • I never been offensive anyway...is this the big grace you have? Very nice!

    When you'll achieve enough knowledge concerning throat singing u'll realize everything by urself.

    I didn't speak about what u hear, but about resonators, breathing, intentions and emittions ; too much for you, i've realize that ;)

    Learn from this great master, u'll surely be a great overtone singer!

    At last i don't care anything, i've only tried to help someone, showing a different (right) approach.

    Peace grace man ;)

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