MIDI Composition "Supercell" V3

Another MIDI composition.

The video track is a compilation of the explanatory animations in Discovery Channel's "Perfect Disaster: SuperTornado".

Category:

Music

Tags:

• Perfect
• Disaster
• Super
• Tornado
• SuperTornado
• Cell
• Supercell
• Twister
• Thunderstorm
• Lightning
• Rain
• Wind
• Shear
• Giant
• Hail
• Water
• Spout
• Waterspout
• Micro
• Burst
• Microburst
• Fujita
• Scale
• Dallas
• MIDI
• Swing
• MIDISwing
• Composition
• Finale

[1RadicalOne]

There were?

[PrismLightwave]

Actually, I just remembered what the most 'conventional' composition R1 wrote is - it's the outro to the Theme and Variations in C that's on my account. There actually were inversions and minor chords in that one.

[1RadicalOne]

They're not inversions. They may sound like it because the baseline sometimes moves a different vertical amount than the melody.

PS

The '1' at the beginning is unnecessary - after all, my true callsign is "RadicalOne". Someone had merely taken that first on YouTube, so 1R1 was a reasonable permutation. So, for a short form, R1 is fine.

[PrismLightwave]

And Space Conquest is in a totally different style, and happens to be a really good piece in that style.

Also, there are some parts in NanoTech which I *think* are inversions, but 1R1 claims they're not.

[1RadicalOne]

I once used chords that weren't minor or major, or anything else of a specific category. My first piece, "Space Conquest", is essentially random. It's the only successful one I've made with a melody, not just harmony.

[PrismLightwave]

If I were to make a piece that uses that sequence of notes, I probably would probably replace the E with an inversion of C and the A with an inversion of F. Either that, or replace them with minor chords.

1RadicalOne (almost) never uses inversions or minor chords, which is what makes it different from practically everything else.

[1RadicalOne]

I use the latter. Acutally, it's really simple. Here, for example, I use a CGC chord. I then drag as a unit up or down, and it is now based on Ab, or F#, or Dx, etc.) Hence the odd structure.

PrismLW composes in a more traditional style. I'll bet there are inversions, as he did show them to me. (We know each other in real life.)

[thePuzzledDragon]

The internet is a place for different experimental sounds for sure. Just wondering, do you both use inversions of the chords or do stack them straight up on the root note that it's named for? It's probably are really dumb question. Just wondering.

[PrismLightwave]

And we get into another musical quirk here, because usually a pattern lasts 16 measures, not 15. I kinda recall them being longer in V2 of this, though.

[1RadicalOne]

One measure more. Most last 2 bars, the "cadence" ones last three.