Collection... Shamshad Begum
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Uploaded on Apr 5, 2009
Shamshad Begum (born April 14, 1919) is an Indian singer who was one of the first playback singers in the film industry. Shamshad Begum was born in Amritsar, Punjab. She was a big fan of K.L. Saigal and watched Devdas 14 times. She earned 15 rupees per song and was awarded 5000 on the completion of the contract on jenaphone. She started her radio career on Peshawar Radio and did work in Lahore, Delhi etc. She made her debut on radio in Lahore on December 16, 1937 captivating the hearts of listeners with the enchanting depth of her voice. Shamshad was very much conscious of her not so beautiful face and she never posed for any picture and not many people saw her pictures anywhere. Until the end of 1970s, nobody knew her face but everybody could recognise her melodious voice as it was used by the great maestros like Naushad Ali and O.P.Nayar. Even today her songs from 1950s, 1960s, and early 1970s make you stand still to listen to them.She sang for the All India Radio (AIR) through her musical group The Crown Imperial Theatrical Company of Performing Arts, set up in Delhi. The then AIR Lahore helped her in entering the world of movies as frequent broadcasting of her songs, which induced music directors to use her voice for their films. Shamshad also recorded "naats" and devotional music for a couple of gramophone recording companies. Her crystal clear voice caught the attention of sarangi maestro Ustad Hussain Bakshwale Saheb, who took her as his disciple. Lahore-based composer Ghulam Haider used her voice skillfully in some of his earlier films like: Khazanchi (1941) and Khandaan (1942). When he shifted to Bombay in 1944, Shamshad went with him as a member of his team. She is credited with singing one of the first Westernised songs, Meri jaan...Sunday ke Sunday by C. Ramchandra. O.P.Nayyar describes her voice as that of a "temple bell" for its clarity of tone.
In 1944, when Mehboob Khan launched his historical venture Humayun, Master Ghulam Haider used her voice in the film. That was the time when Amirbai Karnatki was considered the number one playback singer in Bombay. With the introduction of Shamshad Begum in the film world of Bombay, contemporary composers almost fell over each other in booking her for recording of their songs leading to a prolific career until the mid-late 1950s. Music directors like C. Ramchandra, S.D. Burman, Naushad, and O.P.Nayyar used her as their prime female vocalist in the early part of their careers. Shamshad became a national rage between the 1940s and the late 1950s rendering songs with her nasal voice, which helped her carve her independent image--a voice different from her peers--Lata, Asha, Geeta, etc.
Shamshad Begum, the nasal-voiced legendary classical and playback singer of yesteryears stays at Hiranandani Gardens, Powai in Mumbai.
Most of her songs were memorable hits. Even the one rendered in 1960s for Kismat, after her retirement: "Kajra mohabbatwala ankhiyon mein aisa dala" composed by O.P. Nayyar, proved a superhit. Her duet with Kishore Kumar, "Meri neendon main tum, meri khwabon mein tum" from Naya Andaz (composed by O. P. Nayyar), similarly, remains almost a touchstone of melodious romance. Shamshad, reputed to be a stunningly beautiful woman in her youth, performed live, both on-stage and on All India Radio through her musical group The Crown Imperial Theatrical Company of Performing Arts, set up in Delhi. Her crystal-clear voice caught the attention of sarang maestro Ustad Hussain Baksh-wale Saheb, who took her as his disciple. Since Mumbai had already been acknowledged as the countrys film capital, Shamshad went there in the late 1930s to try her fortune.She was immediately grabbed by master music directors like Naushad Ali, Ram Ganguly, S.D. Burman, O.P. Nayyar, and Khemchand Prakash. Throughout her film singing career, she remained a particular favorite with Naushad and Nayyar who used her voice not only to its fullest range but to the maximum extent possible. Shamshad became a national rage between the 1940s and mid-1960s rendering songs in her nasal voice, which helped her carve her independent--and till date unchallenged--niche in the world of music. She became a rage with songs like "O, Lagi Lagi" (Aaan), "Dhadkar Mera Dil" (Babul), "Teri Mehfil Main Kismat Azma kar Hum Bhi Dekhange" (Mughal-E-Azam), "Chhau Main Rakha Virana" (Deedar), "Holi Aayi Re Kanhai" (Mother India)--all hits for which music was directed by Naushad.Similarly, she gave superhits for Nayyar like "Kabhi Aar, Kabhi Paar" (Aar Paar), "Poochh Mera Kya Naam Re, Nadi Kinare Gaon Re" (CID). Among other notable numbers she rendered were "Saiyan Dil main Aana Re, Aake Chhup Na Jana Re" (Bahaar - S. D. Burman), "Ai Dil Na Mujhe Yaad Dila" (Saawan Aaya Re - Khemchand Prakash) and "Kaahe Koyal Shor Machaye" (Aaag - Ram Ganguly).
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Shamshad Begum
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Mere Piya Gaye Rangoon - Shamshad Begum, C. Ramchandra, Patanga Songby UltraHindi
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Collection... Zohrabai Ambalewaliby IMIRZA777
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Shamshad Begum's last recorded songs from Ganga Maang Rahi Balidaan(1981) - Karlo Jitna Sitamby Hildebrand Victor
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3 songs from the film Sawan Aya Re 1949 by Shamshad Begum music Khemchand Parkashby ajayuv
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Boojh Mera Kya Naam Re - Shakila, Dev Anand, Shamshad Begum, CID Songby UltraHindi
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Kajra Mohabbat Wala - Babita, Biswajeet, Kismat Song (k)by UltraHindi
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Uploader Comments (IMIRZA777)
kiran khakhar 3 years ago
Yeh "cheerti hui awaaz" ab bahut kam sunaayi deti hai, Badkismati hai hamari. Shamshadji ki bahut hi "honest" awaaz thi. Choti se choti harkat clarity se sunaayi deti hai. She sang with utmost sincerity and even tho' her range of songs was limited,(She did sing a variety of songs, but was typecast ultimately). However, listening to her music was always a delightful experience. Mirzaaji aapka bahut bahut shukriya. Aap ki badaulat yeh 8 minute bahut acche kate hamare :)
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IMIRZA777 3 years ago
Nawazish !
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All Comments (17)
Rajkumar Tiwari 4 weeks ago
beautiful song
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njksatyam 4 months ago
Faverite
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Colonel Rao 6 months ago
Shamshad Begumji had a riging clear sound typical to herself and she dominated the Hindi cinema hit after hit. In fcat every sang of her was a hit. The songs included all types of songs including the famous NAAT. We have lost her today but she has left us stores of treasure of songs.In fcat Lataji is no match to her although she turned out thousands of songs and many are not worth inthis mass production.Shamshadji along with Ambalawali, Ameerbai were our top singers of past.
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Asiftabrez 1 year ago
superb upload Dear.
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6604807 1 year ago
What a melodious voice!!!! I love all her songs.I wonder if anyone has the famous ghazal of Mujjadid Niazi sung by her IK BAAR PHIR KAHO ZARA KE MERI SAARI KAINAAT TERI IK NIGAH PAR NISAR HAI. I am Kalim Chishtie from Karachi.
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MrLucy4 2 years ago
She did sing a variety of songs...Most of her songs were memorable hits.
DJ HAIDER ABBAS...RADIO PAKISTAN ..LHR
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kazmi1959 2 years ago
BARI MUSHKIL SAY DIL KI SONG COMPLETE UPLOAD KARAIN AGAR KISI KAY PAAS HAI
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65naz1 2 years ago
These songs touch some deep routed heart strings.Thanx IMIRZA
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gulzar hussain 2 years ago
A.O.A. I m searching a very old video song by shamshad Film is Pardes picturized on dancer kuk ko song is Raja mery ghungeryale wall ho Raja mery raja. If anybody have it please upload it Thanks
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Xavier Miles 2 years ago
simply great... no karaar aaya ... i am missing these songs a lot
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