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"Weird Al" Yankovic: In 3-D - Polkas On 45

Casey Decker Casey Decker·117 videos
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Uploaded on Feb 23, 2009

Part 6: "Polkas On 45", a polka parody containing lyrics from the following songs...

"Jocko Homo" by Devo
"Smoke On The Water" by Deep Purple
"Sex (I'm A...)" by Berlin
"Hey Jude" by The Beatles
"L.A. Woman" by The Doors
"In-A-Gadda-Da-Vida" by Iron Butterfly
"Hey Joe" by Jimi Hendrix
"Burning Down The House" by Talking Heads
"Hot Blooded" by Foreigner
"Bubbles In The Wine" by Lawrence Welk
"Every Breath You Take" by The Police
"Should I Stay Or Should I Go?" by The Clash
"Jumping Jack Flash" by The Rolling Stones
"My Generation" by The Who

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Top Comments

  • tigerjemm

    i love his polkas

    · 55

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  • wpl955g

    His polkas are always great - but as I fall further behind the popular music, the less fun they seem (although Polka Face was brilliant)... and there's less substance to modern music to parody as a polka, sadly...

    · 9

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All Comments (52)

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  • MrTheremedyuk

    Pure genius!

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  • CrappleFartini

    I love it all but 1:41 cracks me up xD

    ·

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  • Kel10ization

    I kinda like these polka :/.

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    in reply to wpl955g (Show the comment)
  • Kel10ization

    Meh.

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    in reply to wpl955g (Show the comment)
  • Datelesswonders

    Alas, true.

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    in reply to wpl955g (Show the comment)
  • wpl955g

    But then I suppose that's true of parody in general - Mel Brooks deflated the conventions surrounding musicals with The Producers, westerns with Blazing Saddles; the Zucker Brothers did the same for disaster movies (Airplane) and cop shows (Police Squad, Naked Gun). The more there is waiting the be knocked down, the better.

    ·

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    in reply to Datelesswonders (Show the comment)
  • wpl955g

    Oh yes, certainly didn't mean to imply there isn't still good music. But Weird Al generally takes the top of the pops for his polkas; the polka's stylistically capable of accomodating chord progressions etc more complex than a lot of modern pop tunes offer; and the simpler the song (not just in terms of chord changes, but riffs, hooks, modulations, turnarounds, an actual bridge or middle 8, etc) the less there is to work with from an arranger's point of view when you're making a parody of it.

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    in reply to Datelesswonders (Show the comment)
  • Datelesswonders

    Maybe in popular music; there's still tons of good music coming out, just not all of it hits high on any charts.

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    in reply to wpl955g (Show the comment)
  • TerrenciusNescio

    I like how all his polka medleys go through some twenty or so different melodies and tempos, but all pretty much have the same ending.

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  • castletriglav

    You don't have to lik the song, you can lik my balls.

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    in reply to susymurillo73 (Show the comment)
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