I am concentrating on site analysis for this film. I wanted to explain what I felt in Hyde Park in the winter, and to look at the possibilities for my proposal. shigemi
or at least take out your texts and try to voice over your observation such as 'Birds arc across the sky' with your actual voice, I feel that your delicate accent will hugely add a lot of personality to the film. Such a quirky narration is perhaps similar to Jun Ichikawa's experimental offbeat techniques. The visual text at the moment is probably too crude for a sophisticated analysis on the site poetics.
Are you going to incorporate design concepts into your final animation?
I appreciate the atmosphere your're creating in your film, the music is moving, and the filming as a peaceful quality to it. However, It would be nice to see more concious effort to 'analyze' your site in a spatial manner. This could involve adding analytical (hand/computer) drawings to your film which would fade in horizontally in-sync with the panning of your landscape footage,
However, it is by no means a literal room next door because it usually contains the same characters, but the events are occurring at some later date. In some cases, this continual camera movement works because it creates a certain kind of tension in what we are seeing. It is almost as if we are overhearing a conversation or being exposed to just a snippet of someone's life.' quote from lovehkfilm
Shigemi, the film I mentioned to you was Toni Takitani. The camera was always panning from left to right through out every scene in the whole film, detailing the main character's lonely life. 'In this way, characters will slowly emerge out of the right side of the frame only to disappear as the camera scans past them into the "wall," which then allows the director to cut to the next scene as if it were shot in the next room.
or at least take out your texts and try to voice over your observation such as 'Birds arc across the sky' with your actual voice, I feel that your delicate accent will hugely add a lot of personality to the film. Such a quirky narration is perhaps similar to Jun Ichikawa's experimental offbeat techniques. The visual text at the moment is probably too crude for a sophisticated analysis on the site poetics.
Are you going to incorporate design concepts into your final animation?
TKKTLSBU 4 years ago
I appreciate the atmosphere your're creating in your film, the music is moving, and the filming as a peaceful quality to it. However, It would be nice to see more concious effort to 'analyze' your site in a spatial manner. This could involve adding analytical (hand/computer) drawings to your film which would fade in horizontally in-sync with the panning of your landscape footage,
TKKTLSBU 4 years ago
However, it is by no means a literal room next door because it usually contains the same characters, but the events are occurring at some later date. In some cases, this continual camera movement works because it creates a certain kind of tension in what we are seeing. It is almost as if we are overhearing a conversation or being exposed to just a snippet of someone's life.' quote from lovehkfilm
TKKTLSBU 4 years ago
Shigemi, the film I mentioned to you was Toni Takitani. The camera was always panning from left to right through out every scene in the whole film, detailing the main character's lonely life. 'In this way, characters will slowly emerge out of the right side of the frame only to disappear as the camera scans past them into the "wall," which then allows the director to cut to the next scene as if it were shot in the next room.
TKKTLSBU 4 years ago