Testing of four saxophones.
Sopranino saxophone, Conn 1925, Nickel plated.
Straight Bb soprano saxophone, Conn 1929, satin silver plated with art deco engravings. (Long model)
Soprano in C, satin s...
Testing of four saxophones. Sopranino saxophone, Conn 1925, Nickel plated. Straight Bb soprano saxophone, Conn 1929, satin silver plated with art deco engravings. (Long model) Soprano in C, satin silver, Conn 1922 Curved modern Prologue soprano sax in Bb. Bert Brandsma playes them all and tells some stories. The tunes : Jeep's Blues, composed by Johhny Hodges and Duke Ellington, There Is No Greater Love, and some spontanious improvisations. http://www.dixielandcrackerjacks.com
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dude, you sound awesome. i play alto tenor and soprano, but the money involved in buying new saxes often discourages me. but then i hear a performance like this. and i am reminded of what life is all about.
Damn, that soprano saxophone in C sounds magnificent. Do you know if there's any difference between the C soprano and the normal soprano? Please let me know, it sounds magical and you're playing it terrific.
Well, a C soprano is of course pitched one tone higher then a Bb soprano. When compared to the straight Bb sop. in this video intonation of the Bb is better. But that is also since this Bb is an exceptional good series. One problem with C sopranos is that they are only keyed till high Eb. The reason being that they all stem from before the 1930's. Kind regards Bert Brandsma
One point is that Conn made very good saxophones in the 1920s and 1930s. They stem from an ear that the saxophone was supposed to sound sweet. Not aggresive like in modern pop/rock music. For that modern saxes are much better suited. Another reason is that I listened a lot to players like Johnny Hodges. Most beautifull alto sound I ever heard.
Usually Selmer C* are easy to play, and also playable soft, so that might work. There also exist Selmer C* from the 1950's. They are not made the same way. They have a round chamber, they might fit and be helpfull to achieve that sound. not easy to find though.
Ok, I'll keep my eyes out for those mouthpieces. I'm also going to purchase that topnotes book you suggested Mitch to buy. Thanks for the suggestions!
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One problem with C sopranos is that they are only keyed till high Eb. The reason being that they all stem from before the 1930's.
Kind regards
Bert Brandsma
They stem from an ear that the saxophone was supposed to sound sweet. Not aggresive like in modern pop/rock music. For that modern saxes are much better suited.
Another reason is that I listened a lot to players like Johnny Hodges. Most beautifull alto sound I ever heard.
There also exist Selmer C* from the 1950's. They are not made the same way. They have a round chamber, they might fit and be helpfull to achieve that sound. not easy to find though.