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J.S. Bach - BWV 617 - Herr Gott, nun schleuß den Himmel auf

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Uploaded by on Sep 21, 2009

Choralvorspiel „Herr Gott, nun schleuß den Himmel auf
a-moll BWV 617
Aus dem „Orgelbüchlein (BWV 599-644)

Chorale prelude Lord God, now open heavens gates
A minor BWV 617
from the Little Organ Book (BWV 599-644)

composed by J.S. Bach (1685-1750)
performed by Wolfgang Zerer, organ

Bach - BWV 599-644 - Little Organ Book
http://www.youtube.com/view_play_list?p=4532C343606BE0C8

Bach - BWV 645-650 - Schübler Chorales
http://www.youtube.com/view_play_list?p=6B588CECF816A9B6

Bach - BWV 651-668 - Leipzig Chorales
http://www.youtube.com/view_play_list?p=2C2EB2EC7B65F072

Bach - BWV 669-689 - Clavier-Übung 3.Teil
http://www.youtube.com/view_play_list?p=271234B965C91002

Bach - BWV 690-713 - Kirnberger Chorales
http://www.youtube.com/view_play_list?p=0236250D17FBBE78

Bach - various chorale preludes BWV 714-
http://www.youtube.com/view_play_list?p=D20EA45A2B7879FE

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  • @b0ttomzone non exactly. Right hand with perfect chords symbolise the heaven , all the rest then goes on those chords as they listen god's voice ; left hand which is quite staccato (but longer notes than real staccato) stands for time going on (choral is about end of life of Simeon, who is then an old man), and pedal is the labour of men's life, hard work, with those slower steps.

  • Yes i like this performance because it seems to me in the Bach 's mind (spiritus) of his conception of the death moment and sorrow. I'll try playing it like you did. Thank you.

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  • @1banders Sure it is NOT staccato, in french Michel Chapuis defined it as "perlé".

    "Let me go like Simeon in peace". Ok it doesn't deal with Simeon end of life at all.

    Sure it's not "God" voice, better word than "god" is "heaven".

    I'm only saying bass pedal isn't heaven voice, it is quite heavy with "croches" at octave distance of each others, while left hand with "double croches" is lighter, more flying, something in the sky.

  • @maxouf1 Why would time move faster than "the labour of men's life, hard work"? Who is the "they" that are listening to God's voice. Where is God's voice? I read all 3 verses of the hymn and don't fnd it.

  • @maxouf1 Bach's addition of a 2nd voice to the c.f. simply reflects the history of the tune, which was derived from a combination of the top two voices in a 5-part hymn setting from 1620.

    I don't see any staccato marks.

    The old man must be in good shape to do all those 8ve gymnastics. Is he trying to spring up into heaven from a trampoline?

    The chorale is not about the end of Simeon's life. The speaker in the chorale is a believer, who says "let me go like Simeon in peace."

  • @maxouf1 Of course, that makes a lot of sense. Silly me, who am I to associate those low bass pedals with the heavens?!

  • @maxouf1

    Thank you very much for your analysis. I think we all should appreciate it.

  • Rising scale motif in the left hand to symbolize the heavens? And perhaps the frequent leaps in the pedals symbolize the opening up of the heavens

  • this is a sublime piece, haunting and mystical

  • 10x u bach.

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