Clips from The Bitter Tears new album "Jam Tarts In The Jakehouse" released on Carrot Top Records March 3rd, 2008.
Includes clips from "Worthless Sleaze," "Slay The Heart Of The Earth," and "Starlight."
Animation completed by Bob Dey's Tank Engine Man, Brook Stokes, John Dillon, Kristin Marks
The Bitter Tears have staked their reputation on a sometimes lewd and entertaining theatrical live show, always heavy on spectacle. With their new release, Jam Tarts In The Jakehouse, The Bitter Tears display their creative growth as both musicians and storytellers. The album utilizes smart and direct pop structures to drive the menacing, old-school twang of the songs, deftly melding it all into an aesthetic that owes as much to Weill and Waits as Big Star and Hank.
Taken hold by Alan Scalpone (vocals, guitar, brass, woodwinds), Michael McGinley (vocals, bass, brass, strings), Bill Borton (drums), John Leonard (piano) and Greg Norman (vocals, guitar, trombone, engineer), The Bitter Tears will release their second album, Jam Tarts in the Jakehouse, on Carrot Top Records on March 3, 2009.
Unpredictable stage appearance and occasional self-degradation turn some away, but there are those who enjoy the drama and discharge. You are not alive, taunts Alan Scalpone on Inbred Kings, before The Bitter Tears flesh out the melody with plaintive horns and frightening intensity. The gut-wrenching, liver-bearing songs on Jam Tarts in the Jakehouse serve a variety of weighty subject matter: A failed marriage turns to suicide, with the closing refrain today is not too early to die (The Love Letter); the farmer who loses his faith and wishes to destroy everything he has ever known—his farm, his family, even the three kings who traveled to see Jesus in the manger (Slay the Heart of the Earth); and the bad advice men give to other men (Bachelors Say).
Recorded by band member Greg Norman, the production of Jam Tarts In The Jakehouse allowed The Bitter Tears full creative control. The raw material for the record was written late at night and early in the morning, with a threepenny orchestras worth of instruments to help the process along. The result sounds antique, without sounding antiquated. The bawdy tales of revenge, lust, and corruption are backed by a dusty array of beat-up instruments: horns, oboes, violinseach helping to provide the same dramatic sparks that win people over on-stage.
As Scalpone puts it, It keeps happening, that people come up to one of us and say something like, I thought you were just screwy when I first saw you, but you know, you actually write really good songs.
this album is so good.
jayslavick 1 year ago
love ur music! ciao, from Deventer (the netherlands)
xXxaimlessxXx 1 year ago
Love this stuff. Such a unique and interesting fusion of many musical dialects!
madamerotten 2 years ago