Fotografia—Antonio Carlos Jobim ♫ Katelijne Van Otterloo—Marantz—Ken Ishiwata

http://marantz-ki.tumblr.com
It is essential to understand what quality in original music really means. I believe this is the only way to reference the design process. You can't just take a commercial CD as a reference point, because you can't know the authenticity of its origins.
http://marantz.eu/kipearl
Fotografia (Antonio Carlos Jobim)
☛Katelijne Van Otterloo (Vocals)
☛Erik Robaard (Bass)
☛Michiel Buursen (Piano)
☛Wim Kegel (Drums)
☛George Pelupessy (Pecussie)

—Michiel Buursen (Arraneur/Music Director)
—Fritz de With and Ken Ishiwata (Recording and mixing)
—The Masters, Maartende Boer (Mastering)
—STS Digital (M/W Coding | Process)
—Marantz, Ken Ishiwata (Produced by)



http://metmuseum.org/toah/works-of-art/2002.614.1
Sunday on the Banks of the Marne, 1938
☛Henri Cartier-Bresson (French, 1908--2004)
Gelatin silver print
9 5/8 x 14 9/16 in. (24.5 x 37 cm)

This lyrical view of two couples picnicking on the banks of the Marne epitomizes Cartier-Bresson's talent for discovering a seemingly timeless order within the random course of everyday social reality. It has been compared to paintings by Degas and Seurat, and particularly to Gustave Caillebotte's Paris Street, Rainy Day (1877; Art Institute of Chicago).

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