Petar Lubarda - O inspiraciji, umjetnosti i ljudskoj misli [kazivanja]

Petar Lubarda o inspiraciji, istorijskom i društvenom kontekstu umjetnika, umjetnosti i ljudske misli.

And when you say inspiration - ...that is more a knowledge and concepts about things. And man always finds something that suits his intentions, or temper, if it can play a role. Because that is not so important - everyone has a temper. It is not an artist's temper that matters but what he has to say, to present. Whether it is dug dah ili kratak
Lets take Goya as an example. He has a long historical, BRAZDA not only because he is a good painter, but he is still vivid, even today he transposes viewers thoguht into action... Michelangelo as well. Our medieval frescoe painting also. Thus a mass of things, if they are art, then they are always vivid no matter their historical OKVIR...when they were made. They break through historical borders.
Because human thought has no borders. We can place borders around them but it would be useless. One Niego{, he is a genious, and we can't put him into borders of this or that municipality, because he is a great poet, nominally a Serbian poet, but he is a world poet, of human thought... that is what matters. Because the place he was born, who his father or mother were is not important. We all have that. That is a side road. Only an information, statistics. What matters is the thing an artist bears within himself and what kind of message he leaves behind.
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* Video i prevod priređen uz podršku galerije "Radionica duše" (http://www.radionicaduse.org.rs/)
* Video and translation prepared with the support of the gallery "Workshop Of The Soul" (http://www.radionicaduse.org.rs/)

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