Jonathan Beller, author of "The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle" at "Seeing Race: The Photographic Archive" panel at CCASD. How do shifts in visual technology produce and represent racial difference and engender archives? How do technologies of observation create subjects, natives, and enemies? This panel will consider the role of photography as a technology of gendering and racialization. Drawing on a variety of archives and counter-archives, panelists will focus on single images to look at how race and gender become visible.
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