Bach: Endlessly Rising Modulation Canon (with score!)
Uploader Comments (thebpl)
Top Comments
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YOU MUST READ! ETERNAL GOLDEN BRAID!
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I did: in 1982. Good book. I sent the author a copy of this recording and some other notes a few years ago (c2008), since his work had inspired some of mine.
Video Responses
All Comments (126)
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Apologies if my video response was deliberately removed...I was having YouTube difficulties, and so I reposted it.
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...whoa...
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@thebpl Harpsichords kinda irritate me hehe. Got an anecdote? Bach. now he's a genius squared.
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@thebpl Bach had heard of the piano, Frederick the Great even led him around his palace, showing off his collection of Silbermanns. Bach supposedly even met with Silbermann himself and criticized his instruments and was possibly a driving factor in later improvements.
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@simonsmatthew Actually, the piano was invented right before Bach's death. It wasn't a modern piano however. I personally think that the piano is a much better sounding instrument and that certain aspects of it suit Bach's style better. If you want to hear some good piano versions of his work check out Glenn Gould.
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I heard a group led by Frans Bruggen do this piece. They played it as if the music started at some indefinitely low pitch, below the range of their instruments, and would then continue up the scale and beyond. So in the beginning you only heard a couple of notes, then a few more as the canon repeated, then a few more. Eventually you heard everything, then the lower pitches would drop out, then more, until it all disappeared, as if the music were on some kind of teleprompter. Fun, and weird.
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It's an amazing canon. Love it!
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@ImDrunkOnBaileys I did once.....still 'reading'!



What BWV number is this piece?
bobmusick 1 month ago
@bobmusick Part of BWV 1079.
thebpl 1 month ago
nice analysis. can someone explain the bass clef and the tenor clef together on the bottom?
mxgirl918 10 months ago
@mxgirl918 Those two clefs indicate the two different voices, each playing in a different key.
thebpl 10 months ago 2
This would sound better on the piano - if you had exceptionally good technique and pedalling that you could here the rich harmonic material.
simonsmatthew 1 year ago
@simonsmatthew If you want to hear it on a modern piano, an instrument that Bach never heard of, try Konstantin Lifschitz's recording. It's pretty good, although I think he over-pedals the ricercars!
Also, my own recording (this one) sounds a lot better on the CD than it does in this video copy from it. I "overheld" some of the arpeggios to bring out their harmonic content, which is easier to hear there than it is here.
thebpl 1 year ago