Rigoletto Act 1 - Pavarotti - Davidson - Syri

From Act I of Rigoletto.

Duca - Luciano Pavarotti
Rigoletto - Michael Davidson
Monterone - Erich Syri

conducted by Nino Verchi

Not all pictures of Michael Davidson are from Rigoletto. There are some from Le Nozze di Figaro, The Spanish Hour, Turco in Italia and Viva la Mamma (dressed as a woman @2:04!) as well.

Resume of Michael Davidson, baritone

Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg, Stuttgart and the Gran Teatro de Liceu. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Basel, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier) Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.

Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.

He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.

To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75

Category:

Music

Tags:

• Primobaritono
• Giuseppe
• Verdi
• baritone
• tenor

[bunnyz324]

what song is this

[primobaritono]

It's not really a song. It's part of the first act of Rigoletto beginning with the short duet "Partite? Crudele!".

[operalament]

Bless you sir, what I wouldnt give to have a few more recordings of my dad. this is far and away my favorite opera, such a great baritone role, and it was the first opera I ever saw. It was with dad , and Richard Fredricks sang the title role. all the best

[bunnyz324]

yes it is

[Pavarotti4eva]

thats the thing isnt it, verdi didnt write in arias, he wrote acts like giant arias in a way. the first act is the most apparent of these, but it is also easily seen in the last act, however, in the last and 2nd act, we can more easily distinguish between separate arias.

[adiventini]

Partite? Crudele! un tesoro, non una melodia

[crstioherz]

Hermoso creo que es una gran interpretación de Pavarotti como es Duke de Mantua y de Michael Davidson como Rigoletto. In testa che avete, Signor di Ceprano?

[flapsi1]

Could you please tell me, where and when this Rigoletto was recorded? ( I think, I have a very bad recording from Mr. Syri)