This six-part series is a gorgeous, in-depth history of photography, and an exploration of what makes a truly great photograph. This episode is about the pictures that photographers take of other p...
This six-part series is a gorgeous, in-depth history of photography, and an exploration of what makes a truly great photograph. This episode is about the pictures that photographers take of other people and the pictures they take of themselves. Having conquered the street and the road, photographers approached the final frontier: the home, the self, private life. This episode is about the pictures that photographers take of other people and the pictures they take of themselves. It's about what happens when photography translates personal relationships into photographic ones. The focus of this episode is the 1970s (the "me" decade) and the 1980s (the "me, me, me" decade) and includes examination of Diane Arbus's "freaks," Richard Avedon's confrontations with celebrities like Marylin Monroe and the confessional diaries of Nan Goldin and Araki.
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Fordi når man tager billeder af børn så får man dem jo ikke til at posere....det er det at lade børn posere nøgne der er klamt...hallo hvis en gammel mand på 64 tager billeder af et barn nøgent og får det til at posere så er han da medvirkende til at lave børneporno....forklar mig forskellen med det her "kunst"
The narrator refers to "her son Jessie", but her son's name is Emmett. Jessie is her oldest daughter. Their names are great, the narrator just mixes them up. It's embarrassing for the narrator and the documentary team.
In conclusion, I'm not a moron, and I know my stuff. But thanks!
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In conclusion, I'm not a moron, and I know my stuff. But thanks!