L´Homme Armé. Guillaume Dufay

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Uploaded by on Jan 31, 2008

Guillaume Dufay es un compositor y músico del primer renacimiento. Y ha sido referente de los compositores posteriores.
L´Homme Armé, fue un Greatest Hits. Aunque suene extraño, esto es lo que en el siglo XV. Muchos músicos y otros tantos compositores hicieron versiones, entre ellos Josquin Desprez.
Pero la importante es la de Dufay.

L'homme, l'homme, l'homme armé,
L'homme armé
L'homme armé doibt on doubter, doibt on doubter.
On a fait partout crier,
Que chascun se viengne armer
D'un haubregon de fer.

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Uploader Comments (juliancarrabouxo)

  • i prefer this cover

  • You know, of course, that Josquin did not write this tune, that it was already a pop tune when he used it within his Mass.

    Just checking.

  • of course my friend

  • Gracias, me has salvado el culete. Tengo un examen de historia de la música y confundía este Homme armé con el de Josquin Desprez. MIL GRACIAS =D

  • A raíz de este L´homme se hicieron un montón pero los más famosos son los de Josquin y Dufay. El importante, el verdadero, el original es el de Dufay

  • The classic l homme armee. However, I prefer Jordi Savalls version for the film on Jean d Arc (La Pucelle).

    R.Searle

  • It´s a Oxford Camera Version

see all

All Comments (35)

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  • Tranlation to Hebrew:

    האיש החמוש מעורר בנו פחד. צעקה נשמעת מכל עבר. כל אדם מתחמש היום בשריון ברזל.

  • @LazlosPlane it was #2 in the charts, right after Lady Gaga's hit 'Judah'

  • Pensé que era anonimo.

  • I love it ^_^

  • Oh please, it's dweht, not dwatt on doubter! The latter sounds terrible! Check up on pre-Revolution French pronunciation.

  • The main theme of the PC game "Darklands" also (manual refers to the original song, which i just found here!)

  • La versión de Ockeghem es una belleza tambien... Recomendadísima!

  • @LazlosPlane .... You mean Du Fay, of course ;-)

  • Thank you for posting this with the score. There is a minor discrepancy between in the score and music: in the third system, first measure on "ar," the singers do not hold a G, but rather begin to move downward toward the D in the next measure. I am sure that there are probably many versions of this (though I am not an expert on early music).

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