Joseph Schmidt Tenor Als Flotter Geist

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Uploaded by on Sep 18, 2007

Recorded live in Carnegie Hall 1937 listen for Schmidt's ringing High C at the end, a stunning note when other tenors opt to go lower

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  • if only he had stayed in America

  • BOY DOES HE DO IT BEAUTIFULLY, GREAT ENDING! HE WAS fearless WITH HIGH NOTES! YES HE SHOULD HAVE STAYED IN AMERICA BUT HIS UNCLE MANAGER LEO ENGEL TOLD HIM IT WOULD BE FINE, COME BACK AND HE DID, BIG MISTAKE BUT HE LOVED GERMANY AND HE WAS VERY POPULAR BEFORE THE WAR BUT HE WAS A JEWISH, NICE HIGH C AT THE END!

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All Comments (12)

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  • Schmidt's voice was big enough for lyric roles on stage and this is not amplified at Carn. Hall with a capacity of 2,800 people, bigger then many houses in Europe. He sang Boheme in opera, full and complete on stage in Europe. Wonderful live recording, glad the this brdcst was recorded at least.

  • Absolutely glorious. The only other unsurpassable rendition of this aria is by the Great Fritz, and while Fritz has the more powerful voice, his recordings were made 30-40 years later, with much better technology. Schmidt's almost casual ease at producing gorgeous tones will remain unsurpassed.

  • You must bracket Peter Anders with Tauber and Schmidt. Those three are the supreme Strauss tenors.

  • He was wonderful and had that great top besides all the fine singing. Tragic end for him and I feel bad every time I hear him.

  • The music from this piece was also used in the 1938 'Great Waltz' film with soprano Miliza Korjus where it was in the song 'I'm in love with Vienna'. Schmidt and Tauber were the best tenor voices for Strauss' operettas.

  • When I see the Carnegie Hall later this year I will think of Joseph

  • This is usually sung by a bass-baritone. Peter Dawson being. probably, the best known. Nevertheless a well sung song. Bravo!

  • Very bright and ringing sound.

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