Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

My Favorite Things Jazz Piano

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
6,312
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on May 27, 2010

No description available.

Category:

Howto & Style

Tags:

License:

Standard YouTube License

  • likes, 5 dislikes

Link to this comment:

Share to:

Uploader Comments (karaokegil)

  • Actually, that is incorrect. A cycle of fifths moves in the flat direction on the circle of fifths - that is, down a fifth rather than up a fourth. So, A-D can be a fourth (ascending) or it can be a fifth (descending). The much more common progression is of descending fifths (harmonically, not necessarily bassline contour). In jazz parlance it's also called a "ii-V-I" progression. A true cycle of fourths would move in descending fourths, i.e. A-E-B-F# etc

  • Thanks. It's a YDP 223, which is an excellent model and, like all digitals, has the virtue of never requiring tuning!

  • Hi Man, your version is awesome! Do you have sheets for your work? Or at least chords? Since the Coltrane/Mccoy version sounds different from the chords I found online!

    Thanks in advance!

  • @Cesare92

    Thanks for the words. I don't have a lead sheet for this tune (having learned it by ear), but I can describe what I'm doing harmonically. Basically for the vamp parts I'm using two chords (most modal jazz works like that) - Em7 and F#m7. For the bridge it's all cycle of fifths - Am7(9), D7, Gmaj7, Cmaj7(#11), F#m7(b5), Em7, F#m7, B7.

    for the solo section I'm just using a B dorian type mode with an interchangeable G/G#

    good luck!

  • Thanks!

  • thanks brotha. I tried incorporating some of Tyner's signature quartal/quintal harmonies and pitch cells while keeping the overall polyrhythm going by playing dotted quarters in the left hand chords against the 3/4 beat. Thanks for listening -

see all

All Comments (14)

Sign In or Sign Up now to post a comment!
  • WOOOOOOOWWWWW, you have got to be kidding me.................. a person needs a lil bit more than luck to get this. And you learn this by ear.......... I am going to need a tutorial big man.

  • Wow...this is fantastic! Nice work.

  • you say for the bridge you're using a cycle of fifths. Actually, I believe you meant a cycle of fourths- Am7/9 to D7 to GM7 to CM7#11 would be fourths, not fifths.

  • Very nice.

  • Sounds great. Which Yamaha is that?

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more