Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Bach - Matthaeus Passion - 42-43-44-45

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
47,406
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Aug 25, 2006

Koopman - Amsterdam Baroque Orchestra and Soloists Buy this DVD from : http://amzn.to/nagyDN

Category:

Film & Animation

Tags:

License:

Standard YouTube License

  • likes, 2 dislikes

Link to this comment:

Share to:

Top Comments

  • The violin solist's spirit is wild. Spirit is wild. She is a good reflection of that wildness and freedom. Very bright and beautiful. The beauty of her playing haunts me. The only way to exocise the spirit she planted in me is to listen to her play it again. My 5-star rating goes to her.

  • yeah!!this part rocks too!!i like it!!i love thios more than i do rock music!!!\m/

see all

All Comments (25)

Sign In or Sign Up now to post a comment!
  • Aria - Bass

    Gebt mir meinen Jesum wieder!

    Seht, das Geld, den Mörderlohn,

    Wirft euch der verlorne Sohn

    Zu den Füßen nieder!

  • Is that Alex Trebek singing in the beginning?

  • por supuesto si hay algo que me fascina de Bach es esta versatbilidad de llevar la orquesta y la alegria de los violines en una belleza perfecta e inigualable esta hecha asi para no ser modificada su tiempo su historia pasa pero sus pentagramas superan su tiempo y lo hacen eterno...

  • Bach's genious unmatched....

  • @jls850807 It might seem so at first but actually the solo violin depicts the coins given to Judas for betraying Jesus which later he returned since it was a murder's loan. If I remember correctly he threw them at the feet of the high priests and the scattering of the coins is reflected in the violin solo.

  • @snakefl and @sm000th1 - I have a pleasure to agree with You also.

    5 stars for the orchestra and specially the violin soloist!

  • I am also puzzled by the scoring of this piece. There is obviusly a reason why Bach chose to accompany this with a dancing, lilting melody, but I confess I don't know what it is. It is completely different to the anguished accompaniment to Erbarme Dich. What is going on?

  • It's the mob shouting. That's why it sounds so brutish.

  • Beautiful recording, but this aria should be sung more outraged.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more