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28 YEARS IN THE IMPLICATE ORDER by Pascual Sisto

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Uploaded by on Mar 1, 2007

http://www.videominuto.it - VideominutoPopTV 2005 - Winner "1.000 Euro for 1 Minute"

To join the competition "1.000 EUR for 1 Minute" visit
http://www.videominuto.it/home.php?lang=en&page=Competition&toc=30

Category:

Film & Animation

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License:

Standard YouTube License

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Uploader Comments (VideominutoPopTV)

  • (part 2): "...A centered sodium vapor light illuminates the desolate landscape. 28 red balls bounce up and down in a chaotic random order. Each ball signifying an individual entity bouncing at its own rate and speed. As the video progresses towards its mid point, the balls align themselves in a harmonious blanket. Breathing in and out as a cumulative frequency, they reach the point where they all bounce at the same precise moment and then resume to go back into chaos."

  • Description sent in by the author (part 1): "Work based on the concepts of Quantum Theory and Quantum Mechanics as described by David Bohm. The video consists of a fixed locked off shot of an empty parking lot..."

  • "28 Years in the implicate order" by Pascual Sisto was chosen by the jury as the winner of VideominutoPopTV 2005's edition of the competition "1000 EUR for 1 Minute".

Top Comments

  • 1 ball, filmed 28 times, bouncing once each time, looped & composited into a single scene.

  • :3

    Watching this makes me feel calm.

    Very beautiful work, Sisto!

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All Comments (16)

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  • It's definitely a loop of some sort. Look at the ball first row to our left of the trees, 3rd ball back. It does some crazy side to side motions. But yeah, very cool looking and from the description, it all makes sense, artistically.

  • I can't believe I ate the whole thing.

  • They all bounce at the same height every bounce, this is tomfoolery. Gravity did not cease to exist for this.

  • 28 people with 28 balls stand and release the balls on que and dash off camera. they bounce for 1 minute.

  • this is amazing.

  • SUPREMELY SELEXICAL!

  • I guess it is post effects, and not "real time" and "sequence shoted"

  • how did he do this?

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