Fragmento del programa contresentidos dedicado a la literatura, secciónn titulada café con libros. En este caso se trata de la obra del escritor norteamericano Raymond Carver
Fragmento del programa contresentidos dedicado a la literatura, secciónn titulada café con libros. En este caso se trata de la obra del escritor norteamericano Raymond Carver
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Your statement is not completely accurate. Even though Lish may have heavily edited Carver's fiction (how much, we may never know, because of legal wrangling), they were edits that Carver nonetheless not only accepted but internalized throughout his career. His middle stories ("Cathedral") and later stories ("Errand") have more meat, as but their style is still compressed.
However, the point that Carver himself adamantly rejected and furthermore hated the term "minimalist" says a lot. Lish even boasted that he made Carver, but as you say the later Gallagher influenced works "Cathedral" etc show Carver's other side, and now that Lishes' papers have been released, we shall soon see the real Carver.
Your point is not badly taken. To a point I agree. Carver, like all writers, hated being boxed. But I'm not interested in how Carver defined himself, I'm interested in the texts as they exist. The Lish/Carver relationship was not one way. Carver learned much from Lish's cuts. Even the later rewrites of the Lish edits, in my opinion, like "A Small Good Thing," are minimalist.
Well, the fact that Carver begged Lish not to publish "What We Talk About..." speaks volumes. I think that Lish simply filled the vacuum that Gardner left behind. It is amazing that youtube can sometimes facilitate literary analysis and discussion like this. I should send you my grad papers.
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