1985 computer animation on an Apple //e.
As described in Cinemagic Magazine #23
(visit flickr.com and go to jsl151850b photos)
and Computer Animation Primer (1984)
(Online. Go to page 129)
1985 computer animation on an Apple //e. As described in Cinemagic Magazine #23 (visit flickr.com and go to jsl151850b photos) and Computer Animation Primer (1984) (Online. Go to page 129)
Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
wow, the power of computers back then. It would almost be easier to draw it by hand :-p I always wanted an Apple IIe when I was a kid but we never got one. Someday I might just get one off eBay just to have one. Thanks for sharing!
Actually... It was tricked out with an arithmetic co-processor. (A calculator for the computer.) Once the program started, the computer controlled the color filters and camera shutter. See my flickr page, same user name. The CineMagic photo set. (Dang! YouTube should permit URLs!)
An oldie, but a good one! Boy are we spoiled with processor power these days. The demo looks like some real dedication was put into it, thanks for sharing :)
I have several of these cameras. They rock. Probably the most amazing super-8 camera ever made. I still shoot with mine and find I can be infinitely more creative with it than shooting with a dinky digital camcorder.
Can any of the current digital cameras (still or video) do long expose and time lapse/stopmotion? There is software that knits together video stills into a long exposure. Another that converts stills into video. Same company. Different products.
CineMagic article at my flickr page. jsl151850b The 'PARADOX' logo was done without backwinding, Up to 90 exposures per frame! Bessel figures: Each line moved up 2 pixels and right 2 pixels to simulate 3d. Hidden line removal to make them seem opaque. Each color filmed seperately without backwinding. 300,000 floating point calulations in one minute. Not bad for 0.001 Ghz! Another minute to film each frame. See "Asteroid!" teaser at 1:22 to 1:31. Are you a filmmaker?
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
(A calculator for the computer.)
Once the program started, the computer controlled
the color filters and camera shutter.
See my flickr page, same user name.
The CineMagic photo set.
(Dang! YouTube should permit URLs!)
Thanks everyone!
Check out Asteroid! (part 1) and Asteroid! (part 2).
Can you spot the Apple // animations?
Mr. (or Ms.) 50k could have left a comment!
Hey you! How did you find this video?
See "More From: jsl151850b"
There is software that knits together video stills into a long exposure. Another that converts stills into video. Same company. Different products.
jsl151850b
The 'PARADOX' logo was done without backwinding,
Up to 90 exposures per frame!
Bessel figures:
Each line moved up 2 pixels and right 2 pixels to simulate 3d.
Hidden line removal to make them seem opaque.
Each color filmed seperately without backwinding.
300,000 floating point calulations in one minute. Not bad for 0.001 Ghz!
Another minute to film each frame.
See "Asteroid!" teaser at 1:22 to 1:31.
Are you a filmmaker?