Josef Lhevinne plays Schumann-Tausig "El Contrabandista"

Josef Lhevinne (1874 - 1944)

Russian pianist and piano teacher, born into a family of musicians in Oryol and studied at the Imperial Conservatory in Moscow under Vasily Safonov. His public debut came at the age of 14 with Ludwig van Beethoven's Emperor Concerto in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class which included both Sergei Rachmaninoff and Alexander Scriabin, winning the Gold Medal for piano in 1892.

In 1898 he married fellow Moscow Conservatory student Rosina Bessie, also a pianist and winner of the Gold Medal for piano in her year, and the two began to give concerts together, a practice that lasted until his death. Faced with anti-semitism and the political turbulence of the period, they moved to Berlin in 1907 where Lhévinne gained a reputation as one of the leading virtuosi and teachers of his day. Trapped there as enemy aliens at the outbreak of World War I, having lost what money they had saved in Russian banks in the 1917 Revolution and unable to concertize due to the war, they endured years of considerable hardship surviving on the income from a handful of students.

At last free to leave Germany, in 1919 the couple moved to New York City, where Lhévinne continued his concert career and taught piano at the Juilliard School. Regarded as one of the supreme technicians of his day by virtually all of his more famous contemporaries (even Vladimir Horowitz admired his vast pianistic command), he never achieved their level of success with the public, perhaps because he made it look and sound so easy, but mostly because he enjoyed teaching more than performing. He settled into a life of concert tours and teaching which continued until his sudden death from a heart attack in 1944 a few days short of his 70th birthday.

~~~

Category:

Music

Tags:

• Josef
• Lhevinne
• Chopin
• Prelude
• op.28
• no.16
• no.17
• Friedman
• Horowitz
• Hofmann
• Rubinstein

[ReturnOfTheStienway]

@demosj I think the slower tempo definitely allows for specific articulations to be heard more clearly or easily, but Lhevinne's touch is really unique IMHO. Giles is still unique and at the tops of my lists, but after the two are long dead I can't help choosing a favorite when it comes to a specific performance.

[demosj]

@ReturnOfTheStienway I think it's just that his tempo is slower than Gilels'. :/

[ReturnOfTheStienway]

This is very good, but I just heard the Emil Giles recording just now... Blew me outta the water! I can hear the articulations much better in this recording compared to the Giles, though.