Hey Jazz Guy - More Non-Harmonic Triads

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
10,511
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Oct 12, 2009

More Detail on how to connect non-harmonic triads on the guitar and in a simple jazz setting. Meant to give you an idea...this is a very deep topic! By Jake Hertzog

www.jakehertzog.com

  • likes, 0 dislikes

Link to this comment:

Share to:

Top Comments

  • By any chance is that a Matt Artinger guitar?

  • Breaking chalk is one of the smoothest ways of connecting two points.

see all

All Comments (18)

Sign In or Sign Up now to post a comment!
  • @SpawnofHastur Awww

    

  • @jamesedwardtheobald heh, i am brain dead tonight, the ma13#11 is not the 5, it's the IV (lydian), THOUGH i there is no seventh so it could be with a a major or flat seventh. each superimposed triad would have a different sounding effect. if it has a flat seventh with #11 then it is most likely the lydian dominant. depends, if you flat the 13th, then it's a different mode. lots to choose from,

  • @jamesedwardtheobald tho er, correction; the one chord he is asking us to 'hold in our heads' is a major 13th #11, or really voiced like D/C (which would be the V , so he is using the superimposed triads over a major seventh tonality, not dominant tonality here, though the concepts apply equally well to the dominant realm, sound different though. depends on the context of the chords, open voiced supporting chords leave more room for 'dissonance. cool vid, great lesson!

  • @apgwheeler yup, some call it 'superimposed triads'. harmonic devices (with triads, tetrads have their own) to use over chords, especially of the dominant altered type as demonstrated here... and you can use these concepts in comping, too, i do on the piano - for instance i can just play the notes G and F in my left hand and play an inverted E triad on the right hand,(G13#11 is the chord formed) and he deftly shows how to connect some of the possibilities here.

  • @closetome A half step is a single fret.

  • I don't understand what you mean by a half step.

  • But...why are these used? Improvisation? Definitely not comping. I know I don't think of things correctly, but in my mind guitar things either fall into 2 categories when talking jazz: Comping or Improvising/Lead. So, this is for lead?

  • Man how long does it take to get this to be natural? Years?

  • Echoes of Metheny, Stern, and Breau .... Not Bad Man .... Not bad at All.

    DDR

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more