Zimoun : 97 polysiloxane hoses 3.0mm, compressed air, 2010

97 polysiloxane hoses 3.0mm, compressed air
Zimoun 2010

Zimoun Video Archive (HD):
http://vimeo.com/zimoun/videos/sort:plays

In collaboration with Daniel Imboden / dim-tech (technical development).
Exhibition view: Schichtwechsel / Kunstmuseum Liechtenstein. Curated by Arno Oehri. Sponsoring by J.P. Müller AG, Prematic AG Affeltrangen and Festo AG.

Kindly supported by Pro Helvetia - Swiss Arts Council, KulturStadtBern, Swisslos / Amt für Kultur des Kantons Bern and Hannes Zweifel Architecture.

More information:
http://zimoun.ch

-

«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It's an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck

«It is a poetic and humorous absurdity we find in Zimoun's work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry

«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk

«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns's work transforms and activates the space.» Jury Prix Ars Electronica 2010

«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10

«I perceive Zimoun's work as a unique, playful, light-hearted, and utterly complex approach and examination of the present.» Tom Gray

«The components used in Zimoun's work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann

Category:

Film & Animation

Tags:

• compressed air
• random
• chaos
• hoses
• zimoun
• prepared motors
• physical sound
• sound sculpture
• sound architecture
• installaton
• art
• minimalism
• generative system
• bitfroms gallery nyc
• reductive method
• sound of material
• swiss artist
• sound and motion
• robotics
• artificial intelligence
• simplicity
• complex behavior
• exhibition