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This video is a response to TRITONE SUBSTITUTION EXPLAINED... once and for all
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All Comments (18)
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Thanks for teachme. God bless you
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Awesome video!! Thanks for breaking it down the way you do!
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I like what you do, you do it well, you demonstrate and show, that's what's valuable.
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Tnx, tis was very helpull and finally has mademe understand thes jazzy chords. One question though. At the end you play a chord with a E-tone in it. How does this fit the Cmin scale?
Ric
RickyValentineJr 1 month ago
@RickyValentineJr @RickyValentineJr Good question. The E natural at the end of the video is when I realized the original 'So What' is in D minor, and the ii chord is E minor. So the E came in the E minor voicing. I was no longer playing in C minor. Does that explain?
jazztutorial 1 month ago
I learned 4th chords a while ago as chords to use for parallel movements, but I realize that when I use 4th voicings as static chords they do build from the 3rd or the 7th. I also build from the 6th over ii-7, V7 and Imaj7 chords, 4th chords built from the 6th are kind of ambiguous though.
rillloudmother 4 months ago
@rillloudmother You can voice a 4th chord however sounds good to your ear. I like building off the 3rd or 7th because I can get the maximum number of 4ths - C major 7 = B E A D G C. Building off the 6th you can only do A D G C, as F sounds odd.
Also it's good to voice the 3rd and 7th low down in the voicing, where they carry more wight, because those 2 notes tell you the character of the chord - major, minor, dominant. All the extension notes - 9 11 13 - sound good higher up just to ad color
jazztutorial 4 months ago