Milstein: Chaconne (7.1986) - Milstein's Last Public Concert at 83 Years Old

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
33,157
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jul 3, 2011

Buy the complete DVD at: www.allegrofilms.com
Nathan Milstein (1903-1992)
Bach: Partita Nr.2 Chaconne
Berwaldhallen, Stockholm, July 17, 1986 (Milstein's last public concert at 83 years old)

Category:

Music

Tags:

License:

Standard YouTube License

Link to this comment:

Share to:

Top Comments

  • If i will be alive at 83 i already will consider my self lucky,this man standed up in a stage and played like a god.

    There are simple mortals like me and then there are this kind of ''human beings''.

  • How can there by empty seats in the front row?

see all

All Comments (53)

Sign In or Sign Up now to post a comment!
  • FUCKING MUSIC FROM HEAVEN

  • Mr.Milstein made a legendary recording of the Bach's Sonatas & Partitas for Solo Violin, Deutsche Grammophon in 1975...No one ever played the Ciaccona like him.

    Divine !

  • @juhaszistvangeza Both you and andyli929 are wrong about the arpeggio. It is not the same as a cadenza and there is no cadenza in this piece. A cadenza is most often found in a concerto, where the soloist has a chance to demonstrate virtuosity without the orchestra. Cadenzas are named after the person who composed them, not somebody who played them a certain way. Arpeggios are not named after anyone and are simply a part of whatever piece they appear in.

  • @juhaszistvangeza wow you sounds like a genius! Music is not really my profession so I don't really know what to say... i just know that "arpeggio" is written later on by the first one who played it in this typical way, but I never thought about who did it... ==''

  • @MrFpam oh sorry my english is not that good so maybe there is a bit misunderstanding... i just want to say that different playing style have different feelings and influence to the audience. So it depends, i prefer playing separate notes because it adds to the rhythm of the whole piece. I am not saying that chords are not good, there's no need to shout at me....

  • I'm not interested in other player's performance for this piece any more.

    Thanks for uploading this work.

  • @andyli929 Correction: measures 88-119. I checked, I saw it in Bach's own handwriting: he wrote a half-measure "suggestion" at the beginning of measure 88, and wrote the indication "arpeggio" over measure 89.

  • @PonzuMeat See my answer for andyli929.

  • @andyli929 Bach wrote the chords for measures 89-120, the arpeggios are to be improvised. Most violinists play simple arpeggios here, but some do it the "hard way". It is usual in classical music to name a cadenza/arpeggio after the first one who played it in a particular way. My prime suspects are Enescu and Szeryng. Yours?

  • Loading comment...
Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more