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Installation of Richard Serra's sculptures at MoMA

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Uploaded by on May 4, 2007

Richard Serra's Torqued Ellipse IV (1998) and Intersection II (1992) being installed in the Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art in preparation for Richard Serra Sculpture: Forty Years (June 3 - September 10, 2007).

For more information on the exhibition, please visit http://www.moma.org/exhibitions/exhibitions.php?id=2866.

Music courtesy of I am Robot and Proud from the album "Grace Days" on Catmobile Records. For more information on I am Robot and Proud, please visit http://www.robotandproud.com

© 2007 The Museum of Modern Art, New York

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Uploader Comments (MoMAvideos)

  • claro que es arte¡ te hace sentir vulnerable caminar entre sus esculturas, es impresionante.

  • Loosely translated: "Of course this is art! It makes you feel vulnerable to walk between these sculptures, it's impressive."

  • وش القصد من هذا الفديو

  • Google translates this as "The surface of the intent of this videotape"

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All Comments (58)

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  • Richard Serra can't do anything that isn't "heavy" in the best sense. This time-lapse installation video is superb!

    I wrote about the 40-year survey of the great sculptor's art works on paper now running at the Metropolitan Museum of Art.

    Simple in its complexity, complex in its simplicity, another great retrospective ~Austin

  • kinda like a human habitrail.(hampster cage)

  • One of the best.

  • This should be on Vimeo. . .

  • well said.

  • is art supposed to have a specific feeling? you cant make such a generalization.

  • So thats absolutely great, thanx

  • Art only serves as a mirror, depicting its society. Mordern society is a cold insensitive one.

    Art has only changed the way society has also changed.

  • i like modern art because of its cold feeling.

  • The fun thing about this time lapse is the changing light.

    I like Richard Serra, but I also love what Robert Hughes wrote about public displeasure with his work back in the 80s: "Tilted Arc should stay, if only as a monument to the follies that arise at the juncture of undemanding patronage and truculent aestheticism." I think that juncture will be known to history as the 20th century.

    Classical painting will reemerge as a valued medium in the century to come.

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