"Noche De Ronda" de Maria Teresa Lara. In May of 1943, Graciela returned to New York City to fill in for her brother, Frank "Machito" Grillo, who was drafted into the U.S. Army. When she arrived, the orchestra was the house band at La Conga Club in Manhattan and had added singer Polito Galindez from Puerto Rico. They were broadcasting through radio station WOR and had a buzz going as one of the most popular bands in the city.
"La Conga was a good club on 53rd St.," recalls Graciela. "Everybody would come out and dance to Mario Bauzá's Afro-Cuban jazz. We were always called The Afro-Cubans, but it was Mario who said we should put Machito's name in front. People make the mistake of thinking that Machito was the director. He was just a singer. It was Mario who ran the band and married jazz with Afro-Cuban music."
Bauzá dreamed of a big band fusing the rhythmic fire of Afro-Cuban music with hip North American jazz. Bauzá landed in Harlem at age 19 in the midst of an artistic renaissance. He made important contributions as a reed player and trumpeter, with Chick Webb, Cab Calloway and Don Redman. "Directly, Mario helped many artists get started in their careers, like Dizzy Gillespie, Quincy Jones, Tito Puente and Ella Fitzgerald," adds Graciela about her brother-in-law.
It was Mario who invited Machito to come to NYC in 1937. Married to Estela (Machito and Graciela's sister), Bauzá hoped the two could start a band. That would not happen until a few years later. Early on, Machito sang with Las Estrellas Habaneras and recorded on coro (vocal chorus) with El Conjunto Moderno in 1938. His first sides as a lead vocalist were with Noro Morales, Conjunto Caney, Augusto Coen, and Xavier Cugat.
By 1940, Machito was a force to contend with. He was with La Siboney when he started getting offers for gigs. He formed a small combo but soon began to assemble an orchestra. Bauzá joined the band as its musical director in 1941 and began to refine it into the Afro-Cuban jazz aggregation of his dreams.
la legendaria orqesta cubana de machito marco el inicio de la musica latina en New York para el mundo en los años 30 junto a Dissie Galspie fueron los precursores del afro cuban jazz hoy llamado latin jazz
jupiter2092 1 month ago
@bobbyzambrana Las grabaciones de Graciela siempre fueron con Machito and his afro-Cubans, o con Mario Bauzá and his afro-cuban jazz orchestra
kartman6 4 months ago
Qué vooooz. Típica de los mejores cantantes de Cuba. Es una lástima que no pueda encontrar CDs de Graciela
bobbyzambrana 1 year ago
lo mejor...............por siempre
que bolerazo
choncho618 1 year ago
Musically talking, the passed time was the best for producing it.
amigosjh 1 year ago
Autentico, genial !Maravilloso¡ Viva la musica cubana.
alessandros00 1 year ago
por graciela !!!!
sergioernestopineda 1 year ago
Polito Galindez reemplazó a Machito cuando este fue activado por las Fuerzas Armadas de los EE.UU, apar alrededor de 1943. Graciela opinó sobre él en las siguientes palabras: "Que voz tan hermosa tenía Polito Galindez, cuando cantaba los boleros lo hacía con mucho sentimiento."
isanchezcoll 1 year ago
Descanse en paz Graciela... ;(
Bird1044 1 year ago