CHOPIN, Etude op 10 no 3 - Paderewski

Etude op 10 , Tristesse - Paderewski

Category:

Music

Tags:

• Paderewski

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[manymanero]

@Chopin1974l

why nauseating? You won't tell them, people of the 19th century, the rigth way to interpret their own music, will you? Anyway, they didn't have the chance to read your pedantic opinion, made more than 100 years later, lol...Just listen and learn a little

[GoldPaintedDaisies]

the bit from 0:58 to 1:07 and 3:40 to 3:45 sounds almost identical to parts of Rachmaninoff's Piano Concerto No. 2. I wonder if Rachmaninoff was an admirer of Chopin's works. I know I am.

This is the best interpretaion I've ever heard of it :)

[manymanero]

@GoldPaintedDaisies

every good pianist/composer adores Chopin. He left many recordings of Chopin's works

[24076177]

It melted my heart. Padervski is a giant. gladiol7

[SarrasaniPianoCircus]

great and touching phrasing, a real master.

100 times better than Pollini, Baremboim and similar ones

[rekab7070]

Regarding the breaking of chords, it seems this became a fixture of Paderewski's playing, and virtually his signature trait. He breaks chords in his own music as we here in his recordings of the Minuet and Nocturne.

His tone is amazing and completely unique. No other pianist creates that kind of sound. Paderewski claims the greatest influence on him was Anton Rubinstein. It may be that Paderewski had Anton's sound in his ear and carried it forward another generation.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[Chopin1974l]

The incessant discoordination of the hands is nauseating. His tone is exquisite, but the habit of the late romantic artist to break the left and right hand when playing chords so as the left hand note or chord just scarcely preceeds the right hand allowing the right hand to essentially play on it's own is wrong and disturbing. Michelangeli was guilty of this same technical contrivance. Such a shame.

[otter51201]

@colourcollection Paderewski was a student of Chopin, so it's probably the closest we'll get to hearing Chopin's wishes.