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Dream Theater - Another Day - Live in Tokyo

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Uploaded by on Dec 5, 2008

Dream Theater - Another Day Live
Live in Tokyo Images and Words.
Taken from Score Second DVD.
GUITARS

Below is info regarding the EB/MM JP-BFR models and JP standard models. Designed in conjunction with world renowned Dream Theater guitarist John Petrucci, the BFRs feature the finest of rare tonewoods including alder, mahogany and maple. A book-matched maple top shows off the instrument's exquisite grain pattern in a hand selected flame or quilted top. Available finish options are Amethyst Burst, Emerald Burst, Walnut Burst, Bahama Blue Burst, Ruby Burst, and Black Burst
JP's String Gauges
Bari Bb - 12,16,22p,34,46,64
Bari A - 13,17,24p,36,48,66
Seven - 9,11,16,24,32,42,56
Main - 9,11,16,24,32,42
Drop D - 9,11,16,24,32,46
Eb - 9,11,18,26,34,44
D - 10,13,17,26,36,46
C- 11,14,18,30,40,50
12 String - 9/9 11/11 9/22w 13/26 20p/40 30/50 AMPS/EFFECTS/TOURING GEAR

Here is a list and some photos of the gear John is currently using for touring.

Guitars
1 Musicman JP BFR Rubyburst Baritone
1 Musicman JP BFR Walnutburst Baritone
1 Musicman JP BFR Walnutburst 7 String
1 Musicman JP BFR Blackburst 7 String
1 Musicman JP BFR Tobaccoburst
1 Musicman JP BFR 2006 Ltd. Edition Black w/Gold Hardware
2 Musicman JP BFR Blackburst
1 Musicman JP BFR Walnutburst
1 Musicman JP BFR Rubyburst
1 Musicman JP Blue Sparkle Doubleneck

Amps and Effects
Rack Designed, Built and Programmed by Mark Snyder
2 Mesa Boogie Mark IV Amplifiers
1 Mesa Boogie Lonestar Amplifier
1 Korg DTR-1 Tuner
1 Dunlop DCR-2SR Wah
1 DBX 266XL Compressor/Noise Gate
1 Mesa Boogie Amp Switcher
1 Boss Keeley mod TR-2 Tremolo Pedal
1 MXR EVH Flanger
1 Ibanez Keeley mod Tube Screamer TS-9 Flexi
1 MXR EVH Phase 90
1 Hermida Tech Zendrive
1 Dunlop Wylde Overdrive
1 MXR Stereo Chorus
1 Boss DS-1
1 Eventide Timefactor Delay
1 T.C. Electronics 2290
1 T.C. Electronics M3000
1 Eventide DSP7000
1 DMC Stereo Line Mixer
1 Mesa Boogie Rectifier Power Amp
1 Furman AC Line Regulator AR-Pro
3 Axess Electronics CFX-4 Loop Switcher
2 Axess Electronics GRX-4 Loop Switcher
2 Voodoo Labs Pedal Power
1 Framptone A/B Box
1 Radial Engineering JD-1 Passive D.I. Box

Pedalboard
1 Axess Electronics FX-1 Midi Foot Controller w/ expander
1 Dunlop DCR-IFC Wah Controller
1 Ernieball 25k Stereo Volume Pedal
1 Boss TU-2 Tuner
1 Easy Button

Cabinets
6 Mesa Boogie Traditional Rectifier 4X12 Cabinets with Celestion Vintage 30 speakers

Pickups
DiMarzio D-Sonic (Bridge)
DiMarzio Custom JP (Neck)

Strings
Ernie Ball

Picks
Jim Dunlop JP Shield Black Jazz III

Cables and Connectors
Mogami
Neutrik

Guitar Straps
DiMarzio Black Cliplock

In Ear Monitors
Ultimate Ears UE-5

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Top Comments

  • I hate you Labrie's voice poisoning accident =(

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All Comments (223)

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  • I would argue that LaBrie sounds BETTER nowadays than he did back in the olden days. With age has come the maturity to know not to abuse his voice. He sounds much more consistent nowadays because he's not belting out high notes left right and center. He is also much clearer, all in all a much better singer. With the exception of Learning To Live, he doesn't seem to have pitch problems in recent times.

    Young LaBrie (Album) > Current LaBrie (Live) > Current LaBrie (Album) > Young LaBrie (Live).

  • @MetaldoseAli he's the BEST! i'm worried.. now he can't hit these notes anymore..

  • I CAN'T BELIEVE HE HIT THOSE NOTES FLAWLESSLY LIVE! he sounded shaky in the beginning but, DAMN he exploded like a bomb hitting those holy notes!

  • give LaBrie a break, he's singing more than 3 hours of high pitched DT songs every other nights and is affected by jet lag all the time, but I'm sure he's trying to do his best

  • This are the "Real Dream Theater",the best team for ever!

  • labries voice is better in the studio album :/

  • @meryuin I do not know which one you are citing, this one is just not a high quality performance as most people seem to maintain here; and as I clarified in another comment, I'm referring to the poor performance of J. Labrie (I know there is a reason for that, but that doesn't make the performance any better, sorry)

  • @OneTakeJesus I'm mostly criticising Labrie here: just in the first verse of the song, the intonation is "sloppy" at least twice (on the 'I' of "find", and on "no" in "another reason").... And the rest of the song isn't any better....

  • @antoninosabetta Not really...

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