Lumberjack and Jill (Original titles recreation)

------DISCLAIMER------

No copyright infringement is intended while posting this video, it is uploaded for strictly educational and entertainment purposes.
I do not own anything in this video, copyright belongs to original owners.

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Released on May 27, 1949. George Rufle, Johnny Gent, William Henning and Frank Endres animated for Tom Johnson.

Category:

Film & Animation

Tags:

• popeye
• famous studios
• paramount
• original titles
• 1949

[BetaArchiveCommunity]

Is the cartoon actually pressed POLACOLOR? Look in wikipedia!

[ParamountCartoons]

@BetaArchiveCommunity

"Don't believe everything from Wikipedia."

[Stuingtion]

Bluto is such a sexual harasser

[bacovia2004]

@ParamountCartoons I've got the original print (with the non-restored titles)!!!!!!!

[Uncutcartoons247]

@BetaArchiveCommunity Yeah, that's why I don't look at Wikepedia very much. It's full of crap.

[MichaelHansenFUN]

i thought i never saw this before till the end

with the biscuits

but that sound effect was backwards

[johnnieRad]

Boomerang Airing Use he Incorrect Opening Titles

[elwin38]

@s275ironman you're right! as a kid growing up in Memphis in the late 70's, i instinctively noticed most of the technicolor shorts had that crappy aap logo. all the others retained the paramount logos. i used to think those were "special" or rare cartoons. i got a chance to see in the early 90's, when some stations began to colorize and "discover" Popeye in it's original format, thats when i came to hate the aap logo.

[s275ironman]

And I just realized that last comment contradicts my theory that "Peep in the Deep", "Popeye Meets Hercules" and "A Wolf in Sheik's Clothing" don't exist as aap prints.

[s275ironman]

Another great restoration! Thanks!

There are actually 14 Popeye cartoons with aap titles that keep the original opening and closing soundtracks untouched. This would be the 5 Cinecolor and 9 Polacolor entries. The color shorts were split up and sent to different labs to be processed for Eastmancolor prints. The lab(s) that handled the Cinecolor and/or Polacolor cartoons did not chop away the soundtracks the way the lab that processed the Technicolor shorts did.