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Boccherini Cello Concerto G.482 (3), Yo-Yo Ma, Koopman

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Uploaded by on Feb 27, 2008

Boccherini Cello Concerto G.482 (3)
Baroque Cello Yo-Yo Ma, Ton Koopman, The Amsterdam Baroque Orchestra
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Music

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Uploader Comments (yoyoloveT)

  • Where are Boccherini Cello Concerto G.482 (1) and (2) ? I'm not interested in the so-called Baroque , classical or romantic music. I prefer to leave this topic to the egg-headed. Am interested in the music itself!

    YoyoloveT you should have been a bad boy/girl if you haven't posted movement (1) and (2) though you did have, shouldn't you?

  • @plasticeric , sorry about that. Recently, copy right regulations are more strict than ever. I did try some posting, but I couldn't. Please try the official Yo-Yo Ma's site.

    

Top Comments

  • How graciously mature of you. :) Ok, you can search internet, too and se that Boccherini would be considered an "eloquent link between baroque and classicism" at best. Which is still all the way on the opposite side from renaissance. Which still means you don't know what you are talking about.

  • Ahh intellectual bickering. Priceless...

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All Comments (37)

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  • @yoyoloveT Haha, never mind, just a joking. You are more than appreciated as you've posted so many beautiful articles onto YouTube.

  • Who want to do online lesson with me?

  • I prefer the description "pre-classical", but yours works too lol

  • you`re right and people who give you minus are stupid

  • Indeed he is a classical era composer. He was born in 1743.

    However, he is considered as a "baroque-ish" classical composer.

    Still, I cannot understand why they keep putting him in baroque theme cds. He is not a baroque composer.

  • @anzioa Harpsichords were manufactured up the late 1790s and used in orchestras into the time of Haydn Mozart.

  • On the topic of playing style and the period in which a piece was written. I once read a quote from a famous violinist saying asking, what's the point in playing older music today if you can't stylistically give it new life... If this piece were only ever played in a a quasi- Baroque classical style(or whatever you're arguing). It would become boring, dull, and repetitive. Great performers seek to add new life or a freshness to every piece they performer. Be it 300 years old or 50 years old.

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