Maya Deren
In Meditation on Violence (1948) Deren's camera is motivated by the movement of the performer, Chao Li Chi. This film is marked by a lack of dynamism and mobility that we have come to expect from Deren's camera. It also obscures the distinction between violence and beauty. The shadows on the white wall behind Chi amplify the movement of the Wu Tang ritual. In Meditation on Violence Deren experiments with film time, reversing the film part way through producing a loop. Exhibited forwards and then backwards, the difference in the Wu Tang movements is almost imperceptible.
the film & text are from:
http://www.ubu.com/film/deren.html
@Skillking22 I cant. Coz i love u. :)
The moment you 1st replied me in the keling thread, i knew you are the one for me. I will forever love u.
ayamkambingliao 11 months ago
@ayamkambingliao
For god's sake, could you just stay away from my inbox?
Skillking22 11 months ago
@Skillking22 Oh, your business is now my business :) we stick to each other thru thick and thin no matter what. We are partners and lovers, remember? ehhehe
ayamkambingliao 11 months ago
@ayamkambingliao
None of your business, you sick maniac cunt.
Skillking22 11 months ago
@Skillking22 haha yea. i oso feel very motivated, just like you gayboy.
ayamkambingliao 11 months ago
Hi there. Thanks for the videos. It was great seeing a classic performance from the 40s, man. I myself is a practitioner of Chinese martial arts and this is truly motivating. ^_^
Skillking22 11 months ago
Hey there, nice to see another Meditation on Violence video out there. I have one that I made in '98 or '99 (can't remember - ha!) Take a look when you have a chance. Thanks and good job.
newyorktosf 1 year ago
Astounding. Thanks so much!
zeena35 2 years ago
awesome! thanks
manhattanprojec7 2 years ago