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The Cosmic 432 - Part 2

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Uploaded by on Mar 16, 2011

The 432Hz is found every where in nature and the cosmos as well as in the work of Vernon Jenkins, Pythagoras, Joseph Puleo and Marko Rodin.

Produced by
Spiritual Results

Hosted by
Jamie Buturff

Script by
Tyler W. Thurmond
Jamie Buturff
Rhiyana Holiday
Navin Delay


Filmed & Edited by

Jamie Buturff
The United Multi Media Consortium


Research by

Jamie Buturff
John Stuart Reid
Marko Rodin
Michael R. Evans
Vernon Jenkins
Joseph Puleo
Richard Marrick
Kristiana Diana
Ken Stoneburg
Tyler W. Thurmond

Rodin Graphics
BJ White

Music by

Sedona432
GodWrk


Production Asst.
Lexi

  • likes, 10 dislikes

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Uploader Comments (jamiebuturff)

  • Music needs to stay free for exploration and expression, not regulated. I commend you for looking into musical harmonies, numbers and all of their synchronistic relationships to our human and spiritual experience, and for sharing it. When you make blatantly false statements (like some numbers are not frequencies), in my mind you lose credibility and sound like you have a hidden agenda or battle to win.

  • @musictecture I have to disagree with you when you say "everything" is frequency. If this were true then there could be no musical instruments and thus no vibration. You have to have "nodes" in order to have vibration...You have to have still point around which vibration (frequency) can move. If you don't have the "nodes" that hold a guitar string, or the nodes that set the holes on a flute, you cannot have sound. The nodal structure - 1,7,4...2,8,5...3,9,6 - is the blueprint

  • Your chart 'Pythagorean Tuning' from your website is MASSIVELY FLAWED.

    First, Ab and G# are THE SAME NOTES. Google enharmonic spelling.

    Second, Ab (which is also G#) is not the augmented 4th of A, it is the MAJOR 7th. - Eb is the augmented fourth of A, the TRITONE.

    Thrid, there are 12 chromatic musical notes, not 13.

    In my opinion as an accomplished Jazz pianist, this a FAIL!!

    I like 432 tuning, but don't try to discredit Dr. Horowitz when your data has massive obvious errors in it.

  • @XIIXCECXIIX I hate to have to take time to answer ignorant questions but you obviously have no idea what Pythagorean tuning is. You are correct that the Ab and G# are the same note in EQUAL TEMPERAMENT tuning like what is needed for a piano but Pythagorean tuning is not equal temperament but "Just Intonation" which causes the Ab and the G# to be slightly different because the circle of fifths doesn't resolve perfectly to the next octave. I'm not even going to address the rest of your nonsense.

Top Comments

  • @jamiebuturff referring to the Pythag. comma, doesn't change that fact your chart is flawed, and Ab is not the augmented 4th of A (but the major 7th). Run along and fix your mistake.

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  • Interesting topic. I just wanted to point out that CDEFGABC(do re mi fa sol la si do) is a Major scale, not a whole-tone scale as you call it. A whole tone scale would be C D E F# G# A#(Bb) C Whereas a Major scale contains 2 half steps 1)between E and F 2)between B and C. Thanks.

  • @jamiebuturff can i please mirror both your videos so can get more people to look at this kind of stuff!

  • @XIIXCECXIIX Tell this to a professional violin player, I am sure he/she disagrees with you. I also want to point out that the piano is flawed since it cannot be properly and is therefore always false. At least, according to Pythagoras. Didnt they teach you that at the conservatory?

  • @jamiebuturff LOL. PWNED! Pythagoras would be proud.

  • Thanks Jamie, this is excellent research and I am going to mirror it with your permisson, because of it's importance in teaching Russellian Sceince. Many Blessings Robert

  • Twice in here you say that what we're referring to as "solfeggio frequencies" are "NOT frequencies". Are people fooled by that?!!! Every number is a frequency!!! Everything in existence has a unique frequency. I understand we're talking about harmony here, and we all like the idea of being in tune with the cosmos.

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