Mike Bereal, from the GospelKeys Master Class Vol. 1 learning dvd, gives you professional secrets to really give you that seasoned veteran sound when transitioning in your worship service in this clip!
It's a few minutes of a mega multi-hour course on playing by ear (with no sheet music).
Learn how to solo over chord patterns, and how to play the tenor sax freely by ear. http://www.MikeBerealDVD.com
George Shelby has played with greats such as Donnie McClurkin Mary Mary Bishop T.D. Jakes Beverly Crawford Judith McAllister Tonex Kim Burrell Kurt Carr Renee Spearman Norman Hutchins, Alaska Mass Choir Karen Clark-Sheard, Dorinda Clark-Cole Twinkie Clark Marvin Sapp Juanita Bynum Bishop Noel Jones, Soul Seekers Smokie Norful Denetria Champ Doc Powell Olivia Williams Eddie Baltrip Coko and Bishop Paul Morton!
Visit http://www.MikeBerealDVD.com
"Here's Specifically What You'll Get Out Of GospelKeys Master Class Volume One" *How to multiply your options on the piano so that you never have to play the same identical thing TWICE. This is the difference between a creative, free-flowing musician and a "canned" one. *Diversify your sound and learn how to to add tender and delicate undertones to your style! NOTE: Not all songs need a lot of power-punched chords. Many times "less" ends up being a lot "more." Mike will show you when and when not to "punch it!" *How to think on a whole different level and quickly and easily play things that will have other musicians literally drooling at the mouth (isn't that what you feel like when you watch Mike's video clip? IMAGINE BEING THAT PERSON ON THE KEYS)...
*Get contemporary! Now you can spice up your traditional gospel playing with loads of phat chords and placements from one of the hottest gospel musicians on the planet! (Mike has played for Mary Mary, Judith McAllister, Beverly Crawford, Donnie McClurkin, and MANY MORE!)
*Master tons of arpeggio worship techniques on your right hand that'll have you sounding like a gospel veteran every time you sit down at the piano!
*Learn the secrets to creating the perfect transitions and lead-ins to the next phase of the church service no matter what you're currently playing! NOTE: It is imperative that you master this as there can be a huge burden on you to effectively carry the worship service from one area to the next. *Incorporate Mike's "roll-over" method into your playing. This unorthodox move will literally turn everyone's head and give your playing that extra flare you've been looking for! *How to take songs you've redundantly played for years and drastically improve them so much that they feel foreign to you when you play them (I know it seems hard for a song you've played for 5-10 years to seem new to you but after watching this course, I guarantee you'll experience enthusiastic growth again!)...
Visit http://www.MikeBerealDVD.com Today!
It Does Matter if it's Ab or G#..... Why? Because between any kind of C & A it's a sixth
Between any kind of C & G, it's a fifth.... Therefore spelling out your C# Maj chord
C# - F - Ab is wrong..... It Should be C# - E# - G#...... Enharmonics guys..... use it....
People say Nu Cu Lar.... Does that make it right?....
Jeii3000 1 year ago 4
Can someone tell him that in a c# chord there is not an A flat tone, but a G# tone. Same note, but in technical terms its a pretty important distinction
jmedlen17 2 years ago