What is Jazz - Part 5 - Chord Progressions - Billy Taylor
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Uploaded by JazzVideoGuy on Aug 25, 2008
http://www.billytaylorjazz.net presents What Is Jazz, Part 5 Chord Progressions featuring Billy Taylor, piano; Chip Jackson, bass; and Steve Johns, drums.
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Based on the ads for such a great video, we have not progressed much
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That was fucking amazing.
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Wow, great video!
Great musician!
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hey i am new to all this theory but i really like the chord progressions such as shown in these videos. can any 1 suggest me where should i begin to improve my listening and observation. Thanks
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Holding C as the top note and going backwards to each root I practise this a lot on the Saxophone in arpegios ==> (1) C maj, (2) C#maj7, (3) D min7 (4) Eb9 {add#11,13} (5) Eb13 {b5} (6) F min 7, (7) F# maj 7#11 (8) Gmin11 (9) G# maj (10) A+7#9, (11) Bb9, (12) B7b9
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very cool ideas
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wow that was nice
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Norbit !
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Naturally, the situation I'm referring to is that of composition or arranging. I'm assuming that I have a melody line that has no harmony associated with it because composition is taking place. But if I was playing an established piece of music I would play the chords that I was given and only deviate slightly based on what the idiom would tolerate.
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Amazing!
crazypianolady 2 years ago 3
If a note belongs to a chord then it must have one of the above relationships to it's root. So if the note is F# for example I just pick one of the relationships from the list. Lets say the 9th! The I ask if F# is the 9th then what would be the root? The answer would be E. What type of E chords do I have? Major, Minor, and Sus! The pretty much narrows the possibilities down to Em9, E9, EMaj9, Em9b5, E9b5, E9#5, EMaj9b5, EMaj9#5, Esus9 (same as E11).
osensei2987 2 years ago 2