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Das Rheingold rehearsal ·Bayreuth 1965

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Uploaded by on Nov 12, 2007

R. Wagner
DAS RHEINGOLD (1965)
23. Theo Adam, William Olvis, Ursula Boese, Wieland Wagner (dir)
24. Karl Böhm
25. Wolfgang Windgassen, Alfred Walter (p)
26. Wolfgang Windgassen, Erwin Wohlfahrt, Theo Adam, Gustav Neidlinger,
Wieland Wagner (dir)

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Music

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  • An extraordinary document! Thanks so much for this posting, and please, if you have more...

  • Between timings 00.05 and 1.45 or so we have a very good view of the great Finnish bass Martti Talvela towards the back of the room. Wonderful archive material!

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  • What a thrill to come across this clip. To see Wieland Wagner, Bohm, Windgassen, Neidlinger, the lamented Erwin Wohlfahrt, et. al. in rehearsal--what a gift, what a treasure! It's like finding the Titanic. Thank you, and God bless NHK!

  • @Ivorykeys83

    This must be from NHK, the suberb Japanese TV broadcasting company. Terrific material, thanks for posting it on Youtube.

  • @ric55 you're very welcome - and sorry about your library, how could they??! Kind regards, thlk.

  • tahileki-thanks for the information about Gerd Nienstedt. I didn't realise it was him. I did have access to a book listing all performers and performances in Bayreuth from 1951 up to 1969-I often borrowed it and more or less read the print off the pages-but my library has either lost it or sold it!

  • @ric55 Yes, great to have a glimpse of MT! I think we can only see him briefly from 0:35-0:45 though, at the back in the light-coloured jacket. The guy in the dark jacket, with hammer, is (I think) Gerd Nienstedt as Donner. Martti was singing Fasolt for the first time. (There's another video of this rehearsal on youtube now which shows them a bit more clearly).

  • Interesting material. Never seen this before...

    ------------------------

    Greetings,

    Rolf

    Historical classical recordings

    European Archive, Paris

  • It's interesting that Windgassen is such an effective Loge, since he's mostly associated with Siegfried, but its more common for the tenor who sings Mime to double as Loge, and Wagner goes out of his way to point out the contrast between Siegfried and Mime later in the cycle. It just shows what an interesting character Loge is and how many directions you can go with him, IMO.

  • WHERE oh where did you get this from? I'm writing a thesis on Wagner productions and I'm really interested in Wieland's 1951 Ring (especially Rheingold)... do you have anything on that?

    Do you have a version with German or English subtitles, as the words are quite difficult to make out?

    Thankyou so much!

  • Thanks for spotting Talvela. You're so right - this is fantastic archive material.

  • Thank you so much for this priceless window into music-art history. This is jawdropping footage of some of the greatest Wagnerians of all time!

    WIndgassen's intelligent Loge is the standard (for me, anyway) - and especially that moment, when he sings about his failed quest to find one being who was willing to renounce love - immortal art!

    Is there more of this museum quality film? Again thank you for making this available.

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